Monday, February 16, 2026

‘A Knight of the Seven Kingdoms’ Team Breaks Down Dunk and Aerion’s Gritty, Exhausting Episode 5 Battle

 "A Knight of the Seven Kingdoms" Episode 5 put the Trial of Seven right at the front and showed one of the toughest fights in the "Game of Thrones" world.


A lot of the episode took us back to Dunk's past, when he was growing up in Flea Bottom before joining Ser Arlan.

 This helped explain how the battle in the trial played out. The fight was really hard and exhausting from the start. Showrunner Ira Parker told TheWrap he wanted viewers to feel how tired and scared Dunk got, even though he was bigger than his opponents.


Parker said, "Because we're only seeing things from Dunk's point of view, I wanted everyone to feel what it's like to wear armor and a helmet."

 He added, "Dunk isn't going to be great at this. Even though we might think, 'Oh, he's big and the hero, he's going to kick some ass,' the first thing he does is get a spear in his gut and fall off his horse."


Sam Spruell in "A Knight of the Seven Kingdoms" (Credit: HBO)


Getting thrown off his horse made Dunk rely on the skills he had before he met Arlan.

 Fighting like a knight and fighting like a beggar or thief from Flea Bottom, Peter Claffey explained to TheWrap that this difference was important. It was Dunk's toughness and determination in tough situations that gave him an edge over his size.


Claffey said, "That's pretty much how the book wrote it too, from the fight in 'The Hedge Knight'—George's words, this isn't Sir Duncan the Tall, this is Dunk from Flea Bottom.

 The hardship and grit he had to face to survive and overcome, and he uses all of that against this highly skilled, high-born prince—a Targaryen who thinks he's a dragon. In the end, it's that grit and fight that overcomes and defeats him. It was really important to show that."


Although Dunk is bigger, Aerion is more trained and better protected.

 He's also quicker on his feet than Dunk. It was important to Parker that despite Aerion being a annoying Targaryen prince, he was still very skilled and a real threat to Dunk.


Parker said, "Aerion, even though he's much smaller, is very skilled and very quick, and has been trained by the best people in the world.

 So Dunk is in some trouble. We wanted viewers to feel that all the way up until Dunk lands one big hit late in the game. That hit is really important. All of a sudden, Aerion's little shield is broken, and he just says, 'I've been pretty seriously injured here.'"


Those big hits were a key part of the episode.

 The stunt coordinators made sure each of Dunk's punches against Aerion—and vice versa—felt really hard. This was a messy, brutal fight in the mud, not a proper knightly battle. The moment had to feel real—either rising or falling to the occasion.


Claffey said, "When we talked with Florian [Robin] and C.C. [Smiff], the stunt coordinators, we had to throw these almost ground-and-pound punches.

 It was cool because I felt like it was almost a tribute to Jon Snow getting his final revenge on Ramsey Bolton after he kidnapped his brother. It really does symbolize that grit and ground and pound in the dirt. It's like what you'd do to survive and eat in Flea Bottom."


Finn Bennett remembered shooting the trial battle.

 Director Owen Cooper told him and Claffey that showing how both Aerion and Dunk were getting tired as they fought each other would make the fight more real. That was easy for Bennett to remember because of how hard those days were.


He said, "It was just rolling around.

 I remember being dragged through the mud, on a pulley, and Pete had one of my legs and was dragging me. I remember looking around and thinking, 'Remember this moment, this is a good thing happening to you.'"


He finished, "You really do get a sense of how brutal things are.

 I remember Owen saying, 'What's really going to sell this moment is how tired you both are. You start standing up and look at each other again when you're going back to fight again. Like, how exhausting. I'm really proud of that section."

‘Wuthering Heights’ Dominates Global Box Office With $82 Million, ‘GOAT’ Scores $47.6 Million Worldwide

 "Wuthering Heights" was number one at the global box office, making $82 million, which is the best opening for a movie in the world this year. The ticket sales include $42 million from international markets in 76 countries, and $40 million from the first four days of its release in the U.S. Rival studios think that the U.S. sales might end up closer to $35 million by Monday, which is President's Day. Warner Bros. made the movie, which cost $80 million to produce. Directed by Emerald Fennell and starring Margot Robbie and Jacob Elordi, it's a daring and passionate remake of Emily Brontë's classic novel. The story is about a dangerous love between Catherine Earnshaw and Heathcliff in 18th century England.


Since some reviews and word-of-mouth have been mixed and the domestic sales were a bit lower than expected, "Wuthering Heights" might need help from international audiences to make up for its budget.

 This is because movie theater owners usually get about half of the money from ticket sales. The top international markets were the United Kingdom with $10.3 million, Italy with $4.4 million, and Australia with $4.3 million. Warner Bros. hasn't shared any numbers from Asian countries yet, and the movie hasn't opened in China and Japan yet.


Second place went to "GOAT," a Sony animated comedy about a young sports hero.

 It made $47.6 million in its opening, including $15.6 million from 42 international areas. The movie, which is like a mix between basketball and something else, hasn't opened in 40% of overseas places, including China, Australia, Germany, and South Korea. Where it is playing, the biggest earnings came from the U.K. with $4.8 million, then Mexico with $1.8 million, and Spain with $1.2 million.


"GOAT" cost $80 million to make, and Sony hopes it will be as long-lasting as other recent animated movies like "Migration" and "The Wild Robot."

 Both of those earned a lot more money in the end. It helps that there aren't many new movies for families to watch since "Zootopia 2" came out around Thanksgiving. The next big movie for kids is Pixar's "Hoppers," which is coming out in March.


"Crime 101," a crime thriller starring Chris Hemsworth and Mark Ruffalo, came in third with $12 million from 60 countries.

 It made $15 million in the U.S. over the weekend, and is expected to reach $17.7 million by Monday, making its total global earnings $29.7 million in four days. The top countries for "Crime 101" were the U.K. with $2 million, Australia with $1.4 million, and Saudi Arabia with $790,000.


Though it's a good start for an R-rated movie aimed at adults, "Crime 101" cost $90 million to produce, not including marketing.

 That means it needs to do well for a long time to make back its cost. Amazon MGM, which is new to theatrical releases, thinks showing movies in theaters helps make them more popular before they come out on streaming. Directed by Bart Layton, "Crime 101" stars Hemsworth as a clever thief planning big heists across Los Angeles.

Saturday, February 14, 2026

Netflix Wins U.S. Rights to ‘Lord of the Flies’ Series From ‘Adolescence’ Creator Jack Thorne

 Netflix has bought the U.S. rights to the upcoming "Lord of the Flies" series created by Jack Thorne, who also worked on "Adolescence." Sony Pictures Television shared this news on Friday as the series prepares to show at the Berlin Film Festival. Besides selling to Netflix, the show, which first aired on BBC in the U.K. on February 8, has also been sold in many other countries across Europe, Latin America, and Asia.


"Lord of the Flies" has been sold to Sky in Germany, Austria, Switzerland, Italy; CBC in English Canada; Radio-Canada in French Canada; TVNZ in New Zealand; Syn in Iceland; U-NEXT in Japan; Yes in Israel; Globoplay in Brazil; Telia in Estonia; Telia Play in Lithuania; Tet+ in Latvia; HBO and HBO Max in Central and Eastern Europe and Poland; and beIN in the Middle East and North Africa.


The series is the first TV version of William Golding's book and stars Lox Pratt, who will play Draco Malfoy in HBO's "Harry Potter" series.

 Other actors include Winston Sawyers, David McKenna, Ike Talbut, and Thomas Connor. Like the book, the show follows a group of boys who end up on a tropical island and have to survive.


Mike Wald, co-president of distribution and networks at SPT, said, "Jack Thorne's modern version of this classic story is, in one word, powerful.

 This first-ever TV adaptation of the iconic novel hits every level, including its cinematic feel and captivating music. We're really excited about the strong interest from buyers everywhere."


Thorne's "Adolescence," which he co-created with Stephen Graham and follows a 13-year-old boy arrested for killing his classmate, was a big hit on Netflix.

 It received great reviews and commercial success, winning eight Emmy Awards, including Outstanding Limited or Anthology Series, Lead Actor in a Limited Series for Stephen Graham, and Supporting Actor for Owen Cooper.


Deadline Hollywood was the first to report this news.

New ‘Charlie’s Angels’ Movie in the Works with Screenwriter Pete Chiarelli (Exclusive)

 Once upon a time, there was a TV show about three young women who went to a police academy and then became private investigators. Later, Sony Pictures made a movie or three about them.


Now, Sony is bringing the franchise back to life.

They are working on a new big-screen version of Charlie’s Angels, the action and crime adventure series featuring all-female detectives.

 Pete Chiarelli, who wrote the romantic comedy The Proposal and the movie Crazy Rich Asians, is writing the script for this new version.


It’s not clear who is producing the new movie, but some people say Drew Barrymore and her company, Flower Films, might be involved.

 Flower Films helped make the first big-screen versions of Charlie’s Angels in the early 2000s.


Sony hasn’t commented on the project yet.


Charlie’s Angels was a TV show that aired from 1976 to 1981 on ABC.

 It became a huge hit and made stars of Farrah Fawcett, Kate Jackson, and Jaclyn Smith. The show also helped launch Aaron Spelling as a top TV producer. It introduced the idea of a group of strong female detectives working for the Townsend Agency, which was run by a mysterious man named Charlie Townsend. His assistant, Bosley, was a normal guy who acted as the agency’s contact.


The franchise made a big comeback when Sony’s Columbia Pictures brought it to the big screen in 2000.

 That movie, starring Drew Barrymore, Cameron Diaz, and Lucy Liu, and directed by McG, was a huge success, earning over $264 million worldwide. It was followed by a sequel in 2003 called Charlie’s Angels: Full Throttle.


In 2011, there was a new TV series, but it was canceled after just seven episodes.

 In 2019, Sony tried to revive the movie franchise again with a film directed by Elizabeth Banks and featuring Kristen Stewart, Naomi Scott, and Ella Balinska. That movie, which made the Townsend Agency a global security and intelligence network, wasn’t as successful and performed poorly at the box office.


The new project is still in early development.


Pete Chiarelli started as a producer but moved into screenwriting, writing The Proposal under a different name.

 That movie became a big hit for Disney in 2009, which helped launch his writing career. He has since worked on movies like Now You See Me 2 and Crazy Rich Asians, which was a major hit for Warner Bros. He also worked on GOAT, a new animated movie from Sony Pictures Animation produced by Stephen Curry, which opens today.


Chiarelli is represented by UTA, Mosaic, and Yorn Levine.

Friday, February 13, 2026

Jimpa Movie

Jimpa

Jimpa Poster

2025 | 1h 53m

Genre: Drama, Family


Directed by

Sophie Hyde

Written by

Matthew Cormack

Sophie Hyde

Produced by

Liam Heyen

Marleen Slot

Sophie Hyde

Bryan Mason

Cast

Olivia Colman

Aud Mason-Hyde

John Lithgow

Cinematography Matthew Chuang

Edited by Bryan Mason

Music by Nick Ward

Production

companies

Closer Films

Mad Ones Films

Viking Film

Distributed by

Kismet Movies (Australia)

Cinéart (Netherlands)

Release date

February 13, 2026 (United States)

23 January 2025 (Sundance)

Running time

112 minutes

Countries

Australia

Finland

Netherlands

Language English

Box office $18,109

Crime 101 Movie

Crime 101

2026 |  R | 2h 20m

Crime 101 Movie poster

Genre

Crime, Drama, Thriller

Directed by

Bart Layton

Screenplay by

Bart Layton

Based on Crime 101

by Don Winslow

Produced by

Tim Bevan

Eric Fellner

Derrin Schlesinger

Dimitri Doganis

Bart Layton

Shane Salerno

Chris Hemsworth

Ben Grayson

Cast

Chris Hemsworth

Mark Ruffalo

Barry Keoghan

Monica Barbaro

Corey Hawkins

Jennifer Jason Leigh

Nick Nolte

Halle Berry

Cinematography Erik Wilson

Edited by

Jacob Secher Schulsinger

Julian Hart

Music by Blanck Mass

Production

companies

Metro-Goldwyn-Mayer

Working Title Films

The Story Factory

Wild State

Raw

Distributed by

Amazon MGM Studios (United States and Canada)

Sony Pictures Releasing International (International)

Release dates

January 28, 2026 (London)

February 13, 2026 (United States)

Running time 140 minutes

Countries

United Kingdom

United States

Language

English

Wuthering Heights Movie

Wuthering Heights

Wuthering Heights Movie poster

2026 | R | 2h 16m

Genre: Drama, Romance

Directed by

Emerald Fennell

Screenplay by

Emerald Fennell

Based on

Wuthering Heights

by Emily Brontë

Produced by

Emerald Fennell

Josey McNamara

Margot Robbie

Cast

Margot Robbie as Catherine "Cathy" Earnshaw

Charlotte Mellington as young Catherine Earnshaw

Jacob Elordi as Heathcliff

Owen Cooper as young Heathcliff

Hong Chau as Nelly Dean

Vy Nguyen as young Nelly Dean

Shazad Latif as Edgar Linton

Alison Oliver as Isabella Linton

Martin Clunes as Mr. Earnshaw

Ewan Mitchell as Joseph

Cinematography Linus Sandgren

Edited by Victoria Boydell

Music by

Anthony Willis (score)

Charli XCX (songs)

Production

companies

MRC

Lie Still

LuckyChap Entertainment

Distributed by Warner Bros. Pictures

Release dates

January 28, 2026 (Grauman's Chinese Theatre)

February 13, 2026 (United States)

Running time 136 minutes

Countries

United Kingdom

United States

Language English

Budget $80 million