Spain’s Goya Awards 2024, Winners, Nominations List

 J.A. Bayona’s ‘Society of the Snow’ Wins Best Picture, Director as Sigourney Weaver Receives an International Goya

Netflix Unique "The General public of the Snow" won best picture and chief for J.A. Bayona at Saturday night's 38th Spanish Institute Goya Grants.

Those praises were two of a complete 12 awards, the third-most elevated credit include for any title in the Goyas' close to 40-year history. 

The setup of best picture chosen people was, in any case, an update in itself of the great quality and variety of Spain's ongoing film creation yield. These took in Estibaliz's Urresola Berlin triple champ "20,000 Types of Honey bees," David Trueba's genuine delicate romantic tale "Jokes and Cigarettes," Isabel Coixet's testing "Un Love" and Victor Erice's "Shut Your Eyes," an "yearning tribute to film, time and memory," Assortment wrote in its survey.

There was genuine suspense regarding whether Bayona would also win best picture, even though "Robot Dreams" won best adapted screenplay and David Verdaguer won best actor for "Jokes & Cigarettes." 

Selected for two U.S. Foundation Grants - worldwide component film and cosmetics and hairstyling - "The General public of the Snow" cleared the specialized honors. That made a bigger point: a movie broadly lauded for its specialized verve was made by non-Hollywood professionals, frequently Spanish, yet in addition, of Goya victors, from Uruguay (DP Pablo Luque) and France (craftsmanship chief Alain Bainée).

A profoundly simpática Sigourney Weaver acknowledged face to face Spain's Global Goya Grant, to enormous praise. " Your nation has created such countless works of art, strong, agitating, remarkable. At the point when I consider Spanish film, not classifications. What a joy it is to act in a film where even the cart grasp has perused the content."  

Advertisement Los Javis, arguably the hottest act in Spain film-TV after "Veneno" and "La Mesas," the latter of which was the only European series selected for the Sundance Film Festival last month and will soon be seen at Series Mania, presented the Goya Awards with élan.

In a further demonstration of solidarity of the Spanish and Spanish-talking film, present at the current year's Goya Grants were Penélope Cruz and Pedro Almodóvar who celebrated in front of an audience a 25th commemoration gathering of "About My Mom" cast as well as Gael García Bernal, every one of whom introduced grants.

Likewise in the crowd was Spanish top state leader Pedro Sánchez, who has focused on film and television as a development area in Spain, supporting it by a €1.6 billion ($1.7 billion) Spain AVS Plan.

Stringing different discourses was a require a finish to sexual maltreatment in the Spanish movie industry after three ladies as of late blamed chief Carlos Vermut for sexual viciousness, which he denies. 

Introducing best picture, Pedro Almodóvar likewise countered to statements made a couple of hours sooner by Juan García-Gallardo, the VP of Spain's Castilla y León, individual from he outrageous right Vox party, that Spanish movie producers were "señoritos" (youthful bosses) whose movies cost millions to the public satchel, yet weren't watched by anyone.

"We return what we get and substantially more by settling expenses and government backed retirement and furthermore make large number of occupations," Almodóvar said. He could likewise have highlighted Netflix graphs which place four Spanish motion pictures. one "Society of the Snow," in the main five most-seen non-English-language films at any point screened by the U.S. streaming goliath.

Spanish motion pictures likewise now with a specific recurrence score top honors at top global celebrations, for example, "20,000 Types of Honey bees" best lead execution (Sofía Otero) at Berlin last year. On Saturday, "20,000 Species" wound up with three awards, including best first component, unique screenplay and supporting entertainer (Ana Gabarain).

Currently selected for a U.S. Institute Oscar, Pablo Berger's "Robot Dreams" likewise scored best liveliness include on Saturday night. "To Bird or Not to Bird," by Alberto Vázquez collaborator Martn Romero and produced by Chelo Loureiro and Iván Miambres, won the award for best animated short at Cannes Animation Day last year. 

103-year-old Spanish cinematographer Juan Mariné ("Los guardiamarinas"), whose profession arrives at back to filling in as a camera administrator on 1943's "Eloísa está debajo de un almendro," accepted 2024's Privileged Goya.

2024 38TH GOYA AWARDS

BEST PICTURE

“20,000 Species of Bees,” (Estibaliz Urresola Solaguren)

“Close Your Eyes,” (Víctor Erice)

“Society of the Snow,” (J.A. Bayona)

“Jokes & Cigarettes,” (David Trueba)

“Un Amor,” (Isabel Coixet)

BEST DIRECTOR

Víctor Erice (“Close Your Eyes”)

Elena Martin (“Creatura”)

J.A. Bayona (“The Society of The Snow”)

David Trueba (“Jokes & Cigarettes”)

Isabel Coixet (“Un Amor”)

BEST NEW DIRECTOR

Estibaliz Urresola Solaguren (“20,000 Species of Bees”)

Itsaso Arana (“The Girls are Alright”)

Alvaro Gago (“Matria”)

Alejandro Marín – (“I’m Loving You Madly”)

Alejandro Rojas, Juan Sebastian Vasquez (“Upon Entry”)

BEST ACTOR

Manolo Solo (“Close Your Eyes”)

Enric Auquer (“The Teacher Who Promised the Sea”)

David Verdaguer (“Jokes & Cigarettes”)

Hovik Keuchkerian (“Un Amor”)

Alberto Ammann (“Upon Entry”)

BEST ACTRESS

Patricia Lopez Arnaiz (“20,000 Species of Bees”)

María Vázquez (“Matria”)

Malena Alterio (“Something Is About To Happen”)

Carolina Yuste (“Jokes & Cigarettes”)

Laia Costa (“Un Amor”) 

BEST SUPPORTING ACTOR

Martxelo Rubio (“20,000 Species of Bees”)

Juan Carlos Vellido (“Under Therapy”)

Jose Coronado (“Close Your Eyes”)

Álex Brendemühl (“Creatura”)

Hugo Silva (“Un Amor”)

BEST SUPPORTING ACTRESS

Ane Gabarain (“20,000 Species of Bees”)

Itziar Lazkano (“20,000 Species of Bees”)

Ana Torrent (“Close Your Eyes”)

Clara Segura (“Creatura”)

Luisa Gavasa (“The Teacher Who Promised the Sea”) 

BEST NEW ACTOR

Brianeitor (“Championext”

Julio Hu Chen (“Chinas”)

Matías Recalt (“The Society of the Snow”)

La Dani (“I’m Loving You Madly”)

Omar Banana (“I’m Loving You Madly”) 

BEST NEW ACTRESS

Xinyi Ye (“Chinas”)

Yeju Ji (“Chinas”)

Clàudia Malagelada (“Creatura”)

Sara Becker (“The Movie Teller”)

Janet Novás (“The Rye Horn”) 

BEST ORIGINAL SCREENPLAY

Estibaliz Urresola Solaguren (“20,000 Species of Bees”)

Michel Gaztambide, Víctor Erice (“Close Your Eyes”)

Alejandro Marín, Carmen Garrido (“I’m Loving You Madly”)

Félix Viscarret (“Not Such An Easy Life”)

Alejandro Rojas, Juan Sebastián Vásquez (“Upon Entry”) 

BEST ADAPTED SCREENPLAY

Albert Val (“The Teacher Who Promised the Sea”)

Bernat Vilaplana, J.A. Bayona, Jaime Marques-Olarreaga, Nicolás Casariego (“The Society of The Snow”)

Pablo Berger (“Robot Dreams”)

Albert Espinosa, David Trueba (“Jokes & Cigarettes”)

Isabel Coixet, Laura Ferrero (“Un Amor”)

BEST ANIMATION FEATURE

“They Shot the Piano Player,” (Fernando Trueba, Javier Mariscal)

“Sultana’s Dream,” (Isabel Heguera)

“Hanna And The Monsters,” (Lorena Ares)

“Mummies,” (Juan Jesús García Galocha “Galo”)

“Robot Dreams,” (Pablo Berger)

BEST DOCUMENTARY

“Caleta Palace,” (José Antonio Hergueta)

“Contigo, contigo y sin mí,” (Amaya Villar Navascués)

“This Excessive Ambition,” (Cristina Trenas, Rogelio González, Santos Bacana)

“Iberia, naturaleza infinita,” (Arturo Menor)

“While You’re Still You,” (Claudia Pinto Emperador)

BEST IBERO-AMERICAN FILM

“Alma Viva,” (Cristele Alves Meira, Portugal)

“My Eternal Memory,” (Maite Alberdi Chile)

“The Fishbowl,” (Glorimar Marrero Sanchez Puerto Rico)

“Puan,” (Benjamín Naishtat, María Alché Argentina)

“Simón,” (Diego Vicentini Venezuela) 

BEST EUROPEAN FILM

“Aftersun,” (Charlotte Wells, United Kingdom)

“Anatomy of a Fall,” (Justine Triet, France)

“The Eight Mountains,” (Felix van Groeningen, Charlotte Vandermeersch, Italy)

“Safe Place,” (Juraj Lerotic, Croatia)

“The Teachers’ Lounge,” (Ilker Çatak, Germany) 

BEST ORIGINAL SCORE

Natasha Arizu, (“The Teacher Who Promised the Sea”)

Arnau Bataller (“La paradoja de Antares”)

Michael Giacchino (“The Society of The Snow”)

Alfonso de Vilallonga (“Robot Dreams”)

Andrea Motis (“Jokes & Cigarettes”)

BEST ORIGINAL SONG

“Eco,” (Xoel López for “Amigos hasta la muerte”)

“Chinas,” (Marina Herlop for “Chinas”)

“El amor de Andrea,” (Álvaro Benito Baglietto, David “El Indio”, Guille Galván, Jorge González, Juanma Latorre y Pucho (Vetusta Morla), Valeria Castro for “El amor de Andrea”)

“La gallinita,” (Fernando Moresi Haberman, Sergio Bertran for “The Permanent Picture”)

“Yo solo quiero amor,” (Rigoberta Bandini for “I’m Loving You Madly”) 

BEST PRODUCTION DESIGN

Pablo Vidal (“20,000 Species of Bees”)

María José Díez (“Close Your Eyes”)

Margarita Huguet (“The Society of The Snow”)

Eduard Vallès (“Jokes & Cigarettes”)

Leire Aurrekoetxea, Luis Gutiérrez (“Valle de sombras”) 

BEST CINEMATOGRAPHY

Gina Ferrer García (“20,000 Species of Bees”)

Valentín Álvarez (“Close Your Eyes”)

Pedro Luque (“The Society of the Snow”)

Bet Rourich (“Un Amor”)

Diego Trenas (“Una noche con Adela”) 

BEST EDITING

Raúl Barreras (“20,000 Species of Bees”)

Ascen Marchena (“Close Your Eyes”)

Andrés Gil, Jaume Martí (“The Society of the Snow”)

Fátima de los Santos (“Mamacruz”)

Fernando Franco (“Robot Dreams”) 

BEST ART DIRECTION

Izaskun Urkijo (“20,000 Species of Bees”)

Curru Garabal (“Close Your Eyes”)

Carlos Conti (“La contadora de películas”)

Alain Bainée (“The Society of The Snow”)

Marc Pou (“Jokes & Cigarettes”) 

BEST COSTUME DESIGN

Nerea Torrijos (“20,000 Species of Bees”)

Maria Armengol (“The Teacher Who Promised the Sea”)

Mercè Paloma (“La contadora de películas”)

Julio Suárez (“The Society of The Snow”)

Lala Huete (“Jokes & Cigarettes”) 

BEST MAKEUP AND HAIR DESIGN

Ainhoa Eskisabel, Jone Gabarain (“20,000 Species of Bees”)

Ana López-Puigcerver, Belén López-Puigcerver, Montse Ribé, (“The Society of the Snow”)

Eli Adánez, Juan Begara (“La ternura”)

Caitlin Acheson, Benjamín Pérez, Nacho Díaz (“Jokes & Cigarettes”)

Sarai Rodríguez, Noé Montes, Óscar del Monte (“Valle de sombras”) 

BEST SOUND

Eva Valiño, Koldo Corella, Xanti Salvador (“20,000 Species of Bees”)

Tamara Arévalo, Fabiola Ordoyo, Yasmina Praderas (“Championext”)

Iván Marín, Juan Ferro, Candela Palencia (“Close Your Eyes”)

Jorge Adrados, Oriol Tarragó, Marc Orts (“The Society of the Snow”)

Xavi Mas, Eduardo Castro, Yasmina Praderas (“Jokes & Cigarettes”) 

BEST SPECIAL EFFECTS

Mariano García Marty, Jon Serrano, David Heras, Fran Belda, Indira Martín (“20,000 Species of Bees”)

Eneritz Zapiain, Iñaki Gil “Ketxu” (“La ermita”)

Pau Costa, Félix Bergés, Laura Pedro (“The Society of the Snow”)

Mariano García Marty, Jon Serrano, Juan Ventura, Amparo Martínez (“Tin & Tina”)

Raúl Romanillos, Míriam Piquer (“Valle de sombras”) 

BEST LIVE-ACTION SHORT FILM

“Aunque es de noche,” (Guillermo García López)

“Carta a mi madre para mi hijo,” (Carla Simón)

“Cuentas divinas,” (Eulàlia Ramon)

“La loca y el feminista,” (Sandra Gallego)

“París 70,” (Dani Feixas) 

BEST DOCUMENTARY SHORT FILM

“Ava,” (Mabel Lozano)

“BLOW!.” (Neus Ballús)

“El bus,” (Sandra Reina)

“Herederas,” (Silvia Venegas Venegas)

“Una terapia de mierda,” (Javier Polo) 

BEST ANIMATED SHORT FILM

“Becarias,” (Marina Cortón, Marina Donderis, Núria Poveda)

“To Bird or Not to Bird,” (Martín Romero)

“Todo bien,” (Diana Acién Manzorro)

“Todo está perdido,” (Carla Pereira, Juanfran Jacinto)

“Txotxongiloa,” Sonia Estévez)

ENDS