Friday, October 23, 2026

Fjord Movie

Fjord

Fjord Movie

2026 | R | 2h 26m

Genre: Drama, Thriller

Directed by

Cristian Mungiu

Written by

Cristian Mungiu

Produced by

Cristian Mungiu

Tudor Reu

Andrea Berentsen Ottmar

Dyveke Bjøkly Graver

Starring

Sebastian Stan

Renate Reinsve

Cinematography Tudor Vladimir Panduru

Edited by Mircea Olteanu

Music by Kaspar Kaae

Production

companies

Mobra Films

Why Not Productions

Eye Eye Pictures

Snowglobe Film

Aamu Film Company

Filmgate Films

Distributed by

Forum Film România (Romania)

Le Pacte (France)

Release dates

23 OCT, 2026 (US)

18 May 2026 (Cannes)

13 June 2026 (Romania)

19 August 2026 (France)

Running time

146 minutes

Countries

Romania

France

Denmark

Finland

Norway

Sweden

Languages

English

Romanian

Norwegian

Swedish

Box office

$1,012,149

Klara and the Sun Movie

Klara and the Sun

Klara and the Sun Movie

2026 | PG-13 | 1h 56m

Genre: Sci-fi, Drama

Directed by

Taika Waititi

Screenplay by

Taika Waititi

Dahvi Waller

Based on Klara and the Sun

by Kazuo Ishiguro

Produced by

David Heyman

Garrett Basch

Taika Waititi

Cast

Jenna Ortega

Amy Adams

Mia Tharia

Aran Murphy

Steve Buscemi

Natasha Lyonne

Cinematography Mike Berlucchi

Edited by

Adam Gough

Tom Eagles

Music by Michael Giacchino

Production

companies

Columbia Pictures

3000 Pictures

Spyglass Media Group

Heyday Films

Defender Films

Piki Films

Distributed by Sony Pictures Releasing

Release dates

October 15, 2026 (BFI)

October 23, 2026 (United States)

Running time 116 minutes

Countries

United States

United Kingdom

New Zealand

Language

English

Wildwood Movie

Wildwood

Wildwood Movie poster

2026 | PG-13 | 2h 12m

Genre: Horror, Fantasy, Animation

Directed by
Travis Knight
Written by
Chris Butler
Based on
Wildwood
by Colin Meloy
Carson Ellis
Produced by
Travis Knight
Sam Wilson

Cast

Peyton Elizabeth Lee
Jacob Tremblay
Carey Mulligan
Mahershala Ali
Awkwafina
Angela Bassett
Jake Johnson
Charlie Day
Amandla Stenberg
Jemaine Clement
Maya Erskine
Tantoo Cardinal
Tom Waits
Richard E. Grant

Cinematography Caleb Deschanel

Edited by Christopher Murrie

Music by
Dario Marianelli

Production
company
Laika
Distributed by Fathom Entertainment

Release dates
October 11, 2026 (BFI)
October 23, 2026 (United States)

Running time
131 minutes

Country
United States

Language
English
Budget
$100 million 

Clayface Movie

Clayface

Clayface Movie

2026 | R | 1h 48m

Genre: Horror, Sci-fi, Thriller

Directed by James Watkins

Screenplay by

Mike Flanagan

Hossein Amini

Story by Mike Flanagan

Based on Characters from DC

Produced by

Matt Reeves

Lynn Harris

James Gunn

Peter Safran

Starring

Tom Rhys Harries

Naomi Ackie

David Dencik

Max Minghella

Eddie Marsan

Cinematography Rob Hardy

Edited by Jon Harris

Music by Volker Bertelmann

Production

companies

DC Studios

6th & Idaho

Troll Court Entertainment

The Safran Company

Distributed by Warner Bros. Pictures

Release dates

October 13, 2026 (Los Angeles)

October 23, 2026 (United States)

Running time 108 minutes[1]

Country United States

Language English

Budget $30 million

Tom Skerritt, ‘Picket Fences’ and ‘Alien’ Star, Dies at 93

Tom Skerritt, who acted in the TV show "Picket Fences" and was in movies like "MASH," "Alien," "Top Gun," "A River Runs Through It," and "Ted," passed away on Wednesday due to natural causes, Variety reported with his publicist.He was 93 years old.

The actor, known for his lean, rugged look and mustache, won an Emmy in 1993 for his role as Jimmy Brock, the sheriff of a quirky town in the CBS drama "Picket Fences." He was also nominated for that same role in 1994.
He received SAG Award nominations in 1995 and 1996 for his work in "Picket Fences" as part of the ensemble cast and was also nominated for best male actor in a drama series in 1995.

In the 2000s, he appeared as a senator in "The West Wing," as a judge in "Law & Order: SVU," and as a father in the HBO show "Huff," replacing Robert Forster.
He had recurring roles on "Brothers & Sisters" from 2006 to 2009 as the family's patriarch and briefly appeared in "The Good Wife" in 2014 and "Madam Secretary" in 2015.

In Robert Altman's "MASH" (1970), Skerritt played Duke Forrest, a surgeon who was not always obedient but very skilled.
He was third in the billing, after Donald Sutherland and Elliott Gould, but before Sally Kellerman and Robert Duvall.

In Ridley Scott's "Alien" (1979), he played Dallas, the captain of the spaceship Nostromo.
He was first in the credits, ahead of Sigourney Weaver.He had initially refused the role due to the low budget and lack of a director.He also co-starred with Tom Cruise in "Top Gun" (1986) as Commander Mike "Viper" Metcalf, the instructor at the Naval Air Station where Cruise's character is training.

In the 1992 film "A River Runs Through It," directed by Robert Redford, Skerritt played a Presbyterian minister who is the father of the characters played by Brad Pitt and Craig Sheffer.
The film gave him a chance to do more serious acting.Variety noted that he showed the loving heart behind the thin, reserved appearance of the preacher father.

Skerritt made a cameo as himself in Seth MacFarlane's comedy "Ted" (2012).
He also appeared in a supporting role as an academic in the 2013 romantic comedy "At Middleton," and as Ulysses S.Grant in "Field of Lost Shoes" (2014).

The year after "MASH," he had a small, uncredited role in "Harold and Maude" as a motorcycle cop.

Skerritt worked with Altman again in "Thieves Like Us" (1974), and also appeared in the Roger Corman film "Big Bad Mama" (1974) as a bank robber, third billed after Angie Dickinson and William Shatner.
He starred with Ernest Borgnine and Shatner in the 1975 horror film "The Devil's Rain."

In Herbert Ross's 1977 film "The Turning Point," where Anne Bancroft plays an aging dancer and Shirley MacLaine is her old friend who moved to Oklahoma, Skerritt played MacLaine's husband and won the National Board of Review's best supporting actor award.

Skerritt also had a role in the 1978 Cheech and Chong comedy "Up in Smoke," where he played Strawberry, the cousin of the Cheech character.
He portrayed a Vietnam veteran who has a flashback during a police raid, thinking the cops are Viet Cong.

Roger Ebert escribió: "El film está lleno de actuaciones excelentes ...
incluyendo a Tom Skerritt como el alcalde local que quiere reclutar a este psíquico para resolver una serie de asesinatos." 

Se unió al reparto en la adaptación cinematográfica de Stephen King "The Dead Zone" (1983).


Skerritt apareció en una serie de películas de televisión, incluyendo "The China Lake Murders" (1990).


Actuó como el padre de la novia de Charlie Sheen en "The Rookie" (1990).


También interpretó a un tipo peligroso en "Tears of the Sun" (2003), junto a Bruce Willis y Monica Bellucci.


En la serie "Cheers" (1987-1992), fue un personaje secundario como el padre de la novia de Sara Gilbert.


Skerritt también apareció en la película de Robert Zemeckis "Contact" (1997) junto a Jodie Foster.


En "Redemption Road" (2010), estuvo en el rol de un hombre mayor que tiene una relación con un anciano y una vaca.


Se formó en la Universidad de Wayne State y estudió en la UCLA.
También tuvo un breve servicio en la Fuerza Aérea de los Estados Unidos.

Skerritt debutó en la pantalla grande con la película de guerra "War Hunt" (1962), interpretando a un oficial militar.


En los años 70, actuó en series como "The Fugitive", "Hawaii Five-O" y "Cannon".


También visitó la pantalla grande con "Those Calloways" (1965).


En "Alien" (1979), tuvo un papel secundario, que ayudó a elevar su carrera.

Thursday, October 22, 2026

Denzel Washington, Christopher McQuarrie Team for Original Thriller at Amazon MGM, United Artists

Denzel Washington was supposed to be in a big Netflix movie about a rebellious general named Hannibal, but the high cost made it impossible.


After a long time working with Tom Cruise on the Mission: Impossible films, Christopher McQuarrie is taking a break and focusing on new projects.


With both of their schedules free, the actor and director are now working together on a crime thriller set up at Amazon MGM Studios and Scott Stuber's United Artists.


Amazon has approved the movie and will release it in theaters on October 1, 2027.
The project has been working under the radar but will start filming in November in New Jersey.

Written by Scott Barkan and Gregg Zehentner (Into the Dark, Edge of Fear), the thriller follows a former police detective who is sentenced to life in prison and diagnosed with terminal brain cancer.
He is given compassionate release with six months to live and returns home to his estranged daughter and a grandson he never knew.Like most honorable ex-cons, he just wants to make amends and forget his past.But, as Amazon's logline states, his past has not forgotten him.(Cue dramatic sound effect.)  

The list of producers is like a full prison yard.
McQuarrie will produce alongside Heather McQuarrie, as well as Stuber and Nick Nesbitt for United Artists.Joseph Restaino of Hungry Bull Productions and Reza Moheet and Norman Aladjem of Mainstay Entertainment are also producing, along with Katia Washington and Tommy Harper.

Tony Stopperan of Hungry Bull Productions, Tim Honigman of Mainstay Entertainment, and Joe Guest will serve as executive producers.


Washington’s last movie was Highest 2 Lowest, directed by Spike Lee and released on AppleTV.
His next project is Netflix’s The Take (formerly known as Here Comes the Flood), which stars Robert Pattinson and Daisy Edgar-Jones.It is planned for 2027.

Since 2012, McQuarrie has directed five movies, all starring Cruise.
The last was Mission: Impossible – The Final Reckoning from 2025.That doesn’t include the screenplays or producing work on Cruise's movies Top Gun: Maverick, The Mummy, and Edge of Tomorrow.He is currently setting up a feature based on the video game Battlefield at Sony, which he will direct and star in with Michael B.Jordan.

Washington is represented by WME.
McQuarrie is represented by CAA and Greenberg Glusker.

Why ‘You Can See Everything’ Could Win Best Picture at the Oscars

The word "disruptor" is a very descriptive term, and it's often used to describe a person.But it doesn't have to be.Take "You Can See Everything," a movie that in just one weekend shook up the movie world in a big way.This film is so unique that as you watch it, you start to wonder what kind of movie it actually is.It's a documentary made by a comedian who likes to be funny in a cringey way, about a notorious white-collar criminal.It feels like a casual movie you'd watch with friends, but then the actress who played the criminal in a TV show shows up.That's when the whole thing really starts to change and get wild.

Last weekend, "You Can See Everything" made $15 million on 800 screens, with 2,000 shows completely sold out.
That made it the biggest opening for a non-music documentary since Michael Moore's "Fahrenheit 9/11" 22 years ago.But even those numbers don't really show how much this film has started to change the way people think and feel about movies.It's making a big impact in culture and changing the movie world.People are going to see it almost like it's a mission.Audiences are really into it because it's full of new ideas and surprises.They often say it's better than they expected.In short, this is what a great movie should be: something completely new and exciting, something that pulls you in and makes you feel different once it's over.

The film's box office is likely to go up even more when it comes out on a bigger scale across the country.
And it's possible the numbers could keep rising for a few weeks, just like with "Obsession." The energy around "You Can See Everything" is similar to the buzz that surrounded "Obsession" and "Backrooms" this summer.This is a new group of people, a new way of thinking, and a sign that we might be on the edge of a new era in movies.That's an old term from the 1970s, which described a generation that really connected with movies as a big part of their identity, like rock 'n' roll — not just for fun or art, but as a way to express who they were.

When people watch "You Can See Everything," they see themselves in Nathan Fielder, a 42-year-old comedian known for his clever and honest way of messing with people.
He talks closely with Elizabeth Holmes, and while he’s clever and distant, he's also honest, asking tough questions about what Holmes did and why she might have lied.The movie, in a way, is thinking about lies and how people can be so convincing in their lies.Holmes behaves in a way that's very focused and hard to understand, like Donald Trump.The version of Elizabeth Holmes shown in the film is a perfect example of someone who acts like a corporate performer, putting on a serious face that's really convincing.Fielder struggles to see through her act, and the film becomes a strange battle between egos.

Nathan Fielder made a movie with his directing partner, Lance Oppenheim, and they didn't really know where they were going.This movie, called "You Can See Everything," is a documentary drama all about discovery.That's why it feels so good and meaningful, kind of like "Pulp Fiction." It's doing something new with movies, changing what they can be.People love it a lot, and they're buying tickets in big numbers.I think it's going to be the first documentary ever considered for the best picture Oscar.

Right now, the movie is still finding its way, but I think it has a good chance of being picked as best picture by some of the big critic groups like the New York Film Critics Circle or the Los Angeles Film Critics Association.
That would show it's a real work of art.The Oscar voters might not follow the critics exactly, but they often do.It's been a while since critics and Oscar voters really disagreed.Some critics think that the year-end lists actually help push the Oscars in a certain direction.

The movie is already going to be on many of the top 10 lists from critics, and by the time that happens, it's likely to have made over $100 million at the box office.
That would make it a major cultural hit of the year, and if it gets nominated for best picture, it will be a big deal.

But why do I think "You Can See Everything" could actually win?
This isn't about comparing odds with other movies like "La Bola Negra" or "Artificial." I'm not going to list all the possible Oscar contenders.Instead, I'll use "The Odyssey" as a main competition.

Many people think "The Odyssey" is going to win.
It's a big movie with lots of vision, and it did well with critics, at the box office, and as a must-see film.But I also think it's a risky front-runner, a bit like how "Oppenheimer" was for Christopher Nolan.There are a lot of people who don't really like it.

If "The Odyssey" wins, it won't be a surprise.
It will feel like a typical Oscar win, not a big change.But we're in a time of change.And this year, that change, whether from AI or something else, is not just a threat to the film industry—it might actually help save it.By Oscar time, "You Can See Everything" could be the best example of what a movie can be: something exciting, different, and unforgettable.It gets you thinking, makes you want to watch it again, and brings people together in a shared, strange experience.That's why I think "You Can See Everything" will win at the Oscars—because anyone who votes for it is voting for the future.