Wednesday, October 7, 2026

Queen Live in Budapest Movie

Queen Live in Budapest

Queen Live in Budapest

Original title: Varázslat: A Queen Budapesten

1986 | 1h 30m

Release date

October 7, 2026 (United States)

Genre: Concert, Documentary, Music

Director

János Zsombolyai

Cast

Queen

John Deacon

Brian May

Producers

Jim Beach

executive producer / producer

Josh Cheuse

producer

László Hegedüs

executive producer / producer

Tom Mackay

producer

György Mihály

producer

Charlie Stanford

producer

Richard Story

producer

Rob Stringer

producer

Cinematographer

Elemér Ragályi

Editors

Katalin Kabdebó

Teri Losonci

(as Losonczi Teri)

Mari Miklós

(as Miklós Marianna)

Mariann Pálfia

Zsuzsa Pósán

Production Management

Éva Balogh

unit manager

Judith Csernai

unit manager

Zoltán Gulyás

unit manager

Lajos Szakács

unit manager

Ilona Tóth

unit manager

Sound Department

György Kovács

sound mixer

György Lantos

sound crew

István Perger

sound crew

István Wolf

sound crew

Special Effects

Erzsébet György

optical effects

Géza Németh

optical effects

András Szobrász

optical effects


Countries of origin

Hungary

Canada

United States

Languages

Hungarian

English

Also known as

Queen Budapest

Filming locations

Nep Stadium, Budapest, Hungary

Production companies

Mafilm

Park Road Post Production

Queen Films Ltd.

Vampire Carnival Movie

Vampire Carnival

Vampire Carnival Movie poster

Original title: Crave

2026 | R | 1h 46m

Genre: Horror, Romance

Release date
October 7, 2026 (United States)

Directors

David Charbonier

Justin Douglas Powell


Writers

Jason Filardi

Peter Filardi

Cast

Nell Verlaque

Jason Isaacs

Kieron Moore

Producers
Roger Corbi
producer
David Hillary
producer
Christian Mercuri
producer
Dominic Rustam
producer
Jason Filardi
executive producer
Peter Filardi
executive producer
Andrés Sánchez
executive producer
Roman Viaris-de-Lesegno
executive producer
Ivan Carrero
line producer
Destiny Gutierrez
assistant producer
Matthew James
associate producer
Irene Soms
fishcorb executive
Cinematographer
José Luis Bernal
director of photography
Editor
Stephen Boyer
editor
Casting
Neely Eisenstein
casting director
Alejandro Gil
casting director
Hannah Ashby Ward
casting director
Production Designer
Guillermo Llaguno
production designer
Art Directors
Abraham Arias
art director
Guillermo Llaguno
art director
Set Decorators
Diana Bordas
head set decorator
Deborah Hewitt
set decorator
Laura Menéndez
head set decorator
Cris Noda
set decorator buyer


Countries of origin

Spain
United States

Language
English

Filming locations
Navarre, Spain(Location)

Production company
Asphyxia AIE

Eva Marie Saint, ‘North by Northwest’ Star, Dies at 102

Oscar-winning actress Eva Marie Saint, who appeared in famous old films like "On the Waterfront" and "North by Northwest," passed away on Tuesday at her home in Los Angeles.She was 102 years old.

She was a very talented actress, one of the first big stars from early TV.
She won her Oscar for best supporting actress in "On the Waterfront" in 1955, which made her the oldest person still alive who had won an Oscar.She played Edie Doyle in that movie, which starred Marlon Brando.The New York Times said in its review, "Amid scenes of carnage, she gives tenderness and sensitivity to genuine romance."

As she raised her family from the late 1950s onward, she came back to acting sometimes.
Many of her later roles were on stage and TV, like the ABC series "Moonlighting" and later as Clark Kent's adoptive mother in the 2006 movie "Superman Returns."

One of her most remembered roles was as the cool and seductive blonde spy in Alfred Hitchcock's 1959 spy movie "North by Northwest." Variety wrote about her 97th birthday, saying, "Not only does she provide the required icy sex appeal as Eve Kendall, a shadowy secret agent, but she also proves to be much more than a standard damsel in distress."

Variety continued, "Saint's character is fully capable of pulling the wool over the eyes of sinister villains and usually remains two or three steps ahead of Grant's hapless Madison Avenue executive Roger Thornhill."

Saint began her TV career on "Camp Hoop La" and then became a regular on "One Man's Family." She expanded her dramatic range in shows like "Philco Playhouse," "Robert Montgomery Presents," and "Studio One." Some highlights from that time were Paddy Chayevsky's "Middle of the Night" (1954) and a musical version of Thornton Wilder's "Our Town" (1955), which starred Paul Newman and Frank Sinatra (both of which earned her Emmy nominations); Sidney Howard's "Yellow Jack"; and the drama "Claudia."

She acted alongside Lillian Gish in the 1953 Horton Foote TV play "The Trip to Bountiful," which was the first TV drama to move to Broadway (for 39 performances).
Her "touching and beautifully sensitive performance," as a critic described it, earned the approval of Elia Kazan, who cast her opposite Marlon Brando in "On the Waterfront" in a role many experienced actresses wanted.

The 1954 Budd Schulberg drama was nominated for 12 Oscars and won eight, including best picture, actor, director, and for Saint, supporting actress.

Instead of signing a long studio contract, she returned to the theater in stock productions of "The Rainmaker" and "Desire Under the Elms."

In 1956, she took on the glamorous female lead in "That Certain Feeling" opposite Bob Hope, followed by the 1957 film version of "A Hatful of Rain" and "Raintree County."

After "North by Northwest," she was in "Exodus" and "All Fall Down." The latter, directed by John Frankenheimer and co-starring Warren Beatty, was one of her best dramatic performances.

She played the mysterious but scorned wife in 1965's Elizabeth Taylor-Richard Burton affair film "The Sandpiper," and then acted in a better movie, Norman Jewison's comedy "The Russians Are Coming the Russians Are Coming," in 1966.
Her role in "Loving," co-starring with George Segal, was highly praised and considered some of her best work.Other roles included "36 Hours" and "Grand Prix." Except for another Hope comedy, "Cancel My Reservation," she spent most of the next two decades doing TV and stage work.

On Broadway, she acted in "The Lincoln Mask" in 1972 and then, opposite Henry Fonda, in "The First Monday in October" in 1979.
In 1983, she appeared in a Chicago production of "Duet for One." Her TV credits included "School for Bachelors," "A Carol for Another Christmas," "The First Woman President," "Mrs.Epenshade," "Taxi," and the miniseries "How the West Was Won." The latter two roles also brought her Emmy nominations.

Saint received good reviews for movies like "A Christmas to Remember" with Jason Robards, "When Hell Was in Session," "The Curse of King Tut's Tomb," "The Best Little Girl in the World," "Malibu," "My Antonia," and "Jane Doe," among other roles.

She had a recurring role on the ABC series "Moonlighting," starring Cybill Shepherd and Bruce Willis, as Shepherd's mother.

One of the standout performances of the year was by the versatile and talented actress, who delivered a powerful portrayal that resonated with audiences and critics alike.
Her ability to fully embody her character and bring depth to the narrative made her performance a highlight of the film.The role was not only well-received but also marked a significant achievement in her career, showcasing her range and dedication to her craft.Her performance was widely praised for its emotional intensity and authenticity, further solidifying her reputation as a skilled and reliable performer in the industry.

Saint was born in Newark, New Jersey.Her family later moved to Delmar, New York, which is near Albany.She wanted to become a teacher, so she went to Bowling Green State University in Ohio.While there, she got interested in acting.After getting her bachelor's degree, she decided to focus on acting full time.She started with radio work and got her first paycheck, which was $10, as an off-camera applauder on "The Borden Show." To support herself, she did some modeling and then got roles in radio serials like "Rosemary" and "Young Doctor Malone."

In 1947, she was cast in "Mister Roberts" but was later reduced to an understudy because the director, Joshua Logan, didn't think she had enough experience.
Jocelyn Brando played the main role.A year later, she began studying at the Actors Studio.

Saint is known for her ability to work in both film and television.
She has two separate stars on the Hollywood Walk of Fame—one for movies and one for TV.In 2000, she hosted a Turner Classic Movies documentary about "North by Northwest" as a way to honor the film.She also appeared in two documentaries: "Broadway: The Golden Age, by the Legends Who Were There" in 2003 and "Broadway: Beyond the Golden Age" in 2011.

At the 81st Academy Awards in 2009, she presented the Oscar for supporting actress, more than 55 years after she won for "The Waterfront."

She was a long-time supporter of the Motion Picture and Television Fund and the Epilepsy Foundation of Los Angeles.
She was also an early advocate for making cars free of cell phones and created her own bumper sticker that said, "Get Off The Phone Or Get Off The Road." She also served on the Nicholl Screenwriting Fellowship Committee of the Academy of Motion Picture Arts & Sciences.

Her husband, TV director Jeffrey Hayden, passed away in 2016.
She is survived by her two children, Darrell and Laurette, four grandchildren—Eli, Tyler, Molly, and Stella—and two great-grandchildren, Arlo and Finley.

Tuesday, October 6, 2026

'Avengers: Endgame' Is Now the Highest Grossing Movie of All Time

It's confirmed.*Avengers: Endgame* has become the highest-grossing movie ever, making $2.93 billion worldwide, beating *Avatar* by James Cameron, which made $2.92 billion.The re-released *Avengers: Endgame* Encore, which includes new scenes to introduce *Avengers: Doomsday* coming out on December 18, earned $36.2 million in its first two weeks.This number increased because of higher ticket prices at Infinity Vision, Marvel's special large-format screens that compete with *Dune: Part Three*'s control over IMAX screens in December.

There's a lot of excitement for *Doomsday*, especially after *Spider-Man: Brand New Day* became one of the biggest hits ever, with $2.51 billion in sales so far.
Looking at the top 10 highest-grossing movies, three series — *Avengers*, *Avatar*, and *Spider-Man* — each have two films on the list.*Doomsday* is expected to join that list once its theatrical run is done.

1.
*Avengers: Endgame*  
2.
*Avatar*  
3.
*Spider-Man: Brand New Day*  
4.
*Avatar: The Way of Water*  
5.
*Ne Zha 2*  
6.
*Titanic*  
7.
*Star Wars: Episode VII - The Force Awakens*  
8.
*Avengers: Infinity War*  
9.
*Spider-Man: No Way Home*  
10.
*Zootopia 2*

Digger’ Majorly Bombs With $8 Million Opening Weekend, ‘Verity’ Scores $32 Million Debut Box Office

Tom Cruise plays a rich oil business leader in the movie *Digger*.He thought he was ready for a big environmental disaster, but he wasn't ready for the disaster at the movie theaters.*Digger* made only $8 million from 3,321 theaters in North America.Rivals think the total might be around $7.5 million once all the numbers are added up on Monday.

The movie cost between $160 million and $180 million to make.
It's expected to be one of the worst-performing movies of the year, maybe even of all time.Warner Bros.hoped that having Tom Cruise, one of the biggest stars, and director Alejandro González Iñárritu, who made successful movies like *Birdman* and *The Revenant*, would help the movie make at least $18 million to $20 million on its first day.But even that amount would have been too little for a movie with such a big budget.Experts said the movie needed to make close to $40 million on its opening day to be worth the money.However, bad reviews and word-of-mouth made those numbers even lower.

* Digger* opened in fifth place behind another new movie, *Verity*, starring Anne Hathaway and Dakota Johnson, and three older movies.
Analyst David A.Gross of Franchise Re said, “For a black comedy, the numbers are not bad.But black comedies are small films, and this isn’t a small film.It’s a Tom Cruise movie.The comedy walks a fine line, and when it misses, it misses.”

The reviews for *Digger* have been very negative.
Warner Bros.tried to deal with the bad reviews by making ads that told people to “decide for yourself.” Critics called the movie “unpleasant” and “baffling.” Another ad suggested only American viewers disliked it, but the movie also got bad reviews in other countries.It made just $12 million from 73 international markets, giving it a global opening of $20 million.

* Digger* was always a risky movie — a big budget, star-driven R-rated comedy.
Warner Bros.approved it for $125 million, but the cost went up as the production took longer.Then the studio spent another $100 million on marketing.According to some people who know similar movies, *Digger* needs to make around $350 million globally just to break even.A Warner Bros.spokesperson said the break-even point is $300 million.Either way, *Digger* is expected to lose at least $150 million to $200 million in theaters.(Theaters usually keep about half of ticket sales.)

Cruise gets a percentage of the money before the studio recoups any costs, so the studio will lose even more.
Analyst David A.Gross said, “Even with decent income from other sources like streaming and TV, the movie is going to lose a lot of money.”

* Digger* adds to a poor year for Warner Bros., which has had other bad movies like *The Bride* and *Supergirl*.
The timing has also been bad because the merger between Paramount and Warner Bros.is set to finish next week.News came out that Mike De Luca and Pam Abdy, two top leaders at Warner Bros., are leaving when the merger is done on October 6.They had a great year in 2025 with hit movies like *Sinners*, *A Minecraft Movie*, and *Weapons*.But so far in 2026, none of their movies have made over $100 million in North America.

Last year, no one expected *Verity* to beat *Digger* at the box office.
*Verity*, an Amazon MGM movie based on a best-seller by Colleen Hoover, has made $32.6 million from 3,510 theaters.It is Hathaway’s third number-one opening of the year after *The Devil Wears Prada 2* and *The Odyssey*.Hathaway has also joked that she is going to take a break from acting for the rest of the year.

"Verity" made another $30 million at the international box office, which brings its total worldwide earnings to $62.5 million.

Directed by Michael Showalter, the filmmaker behind *The Big Sick*, *Verity* follows famous author Verity Crawford, played by Hathaway, who gets seriously hurt in a car crash.Her husband, played by Josh Hartnett, hires a struggling writer, Johnson, to finish the remaining books in her popular series.Reviews and audience reactions have not been great; the film received a "C+" rating on CinemaScore and 34% on Rotten Tomatoes.Despite this, *Verity* was made for $40 million and is expected to make a profit for Amazon MGM.

Gross said, "This is an excellent opening.
The reception isn't hurting the film.People are showing up in big numbers."

Hollywood wants to turn Hoover's novels into movies because her stories appeal to a group of women that's not well served by other films.
These films have small budgets, making them safe choices for studios.*Verity* had 78% female viewers during its opening weekend, with the biggest group being people aged 25 to 34.Among Hoover's film adaptations, *Verity* had the second-biggest opening behind Sony's 2024 hit *It Ends With Us* ($50 million) and ahead of Paramount's *Regretting You* ($13.6 million) and Universal's *Reminders of Him* ($17 million).*It Ends With Us* is the most successful of the three, earning $350 million worldwide.

*Resident Evil*, Sony's reboot of the video game, stayed in second place with $12.5 million in its third weekend.
The R-rated movie, directed by Zach Cregger, has made a strong $124.8 million in the U.S.and $215 million globally, with a $75 million budget.

*Resident Evil* is the second straight box office win for Sony after *Spider-Man: Brand New Day*, which has made $954 million in North America and $2.5 billion globally.
It's the third highest-grossing film behind *Avengers: Endgame* and *Avatar*.Disney's re-release of *Avengers: Endgame*, with added scenes, brought in $126 million in two weekends, making it the biggest movie ever.This re-release was meant to build excitement for *Avengers: Doomsday*, which is coming out in December.

*Heart of the Beast* came in third with $11 million in its second weekend, a drop of 45% from its opening.
So far, the Brad Pitt movie has made $38.3 million in the U.S.and $98.6 million worldwide.It's expected to cross $100 million soon.Since Paramount spent $82 million to make it, the film will rely on international box office sales to make up the cost.

*Primetime*, a psychological drama starring Robert Pattinson as Chris Hansen, was in fourth place with $8 million in its second weekend, a drop of 58% from its strong $19 million opening.
So far, it has made $34 million in North America against a $15 million budget.The film, backed by A24, hasn't opened in most countries yet.

The domestic box office is now at $7.95 billion, up 19% from the same time last year, according to Rentrak.
It's about $50 million away from hitting $8 billion, a milestone not reached until December last year.

Rentrak's head of marketplace trends, Paul Dergarabedian, said, "September certainly did its part, referring to films like *Resident Evil* and *Primetime*.
For a month often seen as a transition time, this is another sign of how strong and lasting the 2026 movie market is."

‘The Batman Part II’ Production Paused as Filmmaker Matt Reeves Steps Away for “Family Matter”

The Batman: Part II is on hold as director Matt Reeves handles a personal issue, according to sources who told The Hollywood Reporter.

A DC Studios spokesperson said in a statement shared with Deadline, which first reported the news, "Production on The Batman Part II has been temporarily paused while Matt Reeves focuses on a family matter.
Matt has the full support of DC Studios, and we look forward to continuing the journey soon."

Filming for The Batman Part II started in London in June after several delays during the development process.
Reeves and co-writer Mattson Tomlin worked on the script over time.The film is scheduled to come out on February 18, 2028, and is seen as a key project for DC Studios because Batman is one of DC's most successful characters at the box office.

Robert Pattinson plays Bruce Wayne/Batman in the movie, with new characters added to the series, including Scarlett Johansson and Sebastian Stan.

Reeves directed 2022's The Batman, which made $770.3 million worldwide, and created the TV series The Penguin, featuring Colin Farrell.
He also produced DC's upcoming Clayface movie, which focuses on the Batman villain and is set for release on October 23.

This news comes as Skydance is completing its takeover of DC Studios from Warner Bros.
on Tuesday.DC executives James Gunn and Peter Safran are staying with the new ownership, while Warner Bros.film leaders Mike De Luca and Pam Abdy are leaving.

Monday, October 5, 2026

John Oliver Has Re-Acquired Russell Crowe’s Iconic Jock Strap

 Russell Crowe's jock strap has once again come into John Oliver's possession.This is the third time the host of Last Week Tonight has ended up with the undergarment that Crowe wore in the 2005 movie Cinderella Man.


The story began in 2008 when Oliver bought the item at an auction Crowe hosted called "The Art of the Divorce." Crowe sold over 200 things after he separated from his wife, Danielle Spencer.


After the auction, Crowe told Good Morning Britain that the jock strap was one of the most popular items sold.

He explained it was part of his collection as a joke, based on the character he played in the movie.He said it had become quite famous.


John Oliver and his team bought the jock strap for $7,000 along with other items.

They then donated it to the last Blockbuster Video store in Anchorage, Alaska, to help support the business.The store displayed the item but later closed down in 2018.


Crowe had said he donated the money from the sale to the Australia Zoo, which planned to use it for the "John Oliver Koala Chlamydia Ward."


After the Blockbuster closed, the jock strap returned to Oliver by the end of 2018.

Crowe even appeared in a sketch with the item.


In 2025, the team at Last Week Tonight put the jock strap up for auction again to raise money for public TV and radio.

It sold for $21,000 to an anonymous buyer.


Later in 2024, the jock strap was put up for auction again in August, and it sold for $10,000 to an unknown buyer.

It turned out the buyer was John Oliver and his team.


Oliver shared this news during a segment on the Secret Service on Sunday's Last Week Tonight.

He compared the Secret Service's "zero fail" mission to his show's mission.


He said, "If they fail, it can change the course of history, a level of pressure I truly cannot fathom.

I'm pretty confident the historical legacy of this show will be a few hundred thousand dollars for food banks, a koala chlamydia ward, and whatever the fuck is going on with Russell Crowe's jockstrap right now."


He added, "Because, quick update: After we auctioned the jockstrap off at the end of last year, in aid of public media, it was apparently put up for auction again in August, where, I'm happy to tell you: It sold for $10,000.

And the reason I know that is, of course we fucking bought it back."


Oliver then brought out the undergarment and addressed it directly: "I cannot wait to find out where you're gonna go next."