Tuesday, January 20, 2026

Valentino, Designer to Hollywood, High Society and Royalty Alike, Dies at 93

  Valentino, the famous Italian fashion designer known for mixing luxury and high fashion to create clothes that made many famous women look amazing, passed away on Monday at his home in Rome. His foundation shared the news. He was 93 years old.


Over a 48-year career running his own fashion house, the designer, who was born Valentino Garavani, became widely known by his first name.

 His name became a symbol of high fashion that was rich, feminine, and very Italian.


When asked about his style, he often focused on the women he dressed.

 He once told Elle magazine in 2007, "The most important thing is to try my hardest with all my passion to make a woman look beautiful and make dresses that are flattering to her body. A woman must feel like she has a glow."


This belief kept Valentino popular at special events for his entire career.

 From the start of his label in 1960 until he retired in January 2008, he dressed many of the world’s most famous women. These included Princess Diana, Audrey Hepburn, Crown Princess Marie-Chantal of Greece, Meryl Streep, Oprah Winfrey, and Gwyneth Paltrow, whose daughter, Apple, is Valentino’s goddaughter. This list of famous clients was a big part of his success for almost 50 years.


Elizabeth Taylor was one of his early supporters.

 She wore a Valentino dress to the 1960 premiere of Spartacus in Rome. Later, he designed a black taffeta gown with lace and ruffles for her at the 1971 Proust Ball in Paris, where she was photographed by Cecil Beaton.


Valentino designed Taylor's wardrobe for the movie Night Watch (1973), but their friendship led to more personal looks.

 Taylor wore two yellow Valentino gowns for her 1991 wedding and for the Academy Awards in 1993 when she received the Jean Hersholt Humanitarian Award.


Taylor wasn't the only famous woman who wore Valentino for important events.

 Jacqueline Kennedy wore black Valentino dresses during the year she grieved after John F. Kennedy's assassination in 1963. Five years later, she wore a cream two-piece outfit from his 1968 "White Collection" when she married Aristotle Onassis. Another notable dress was the green one-shoulder caftan she wore on a 1967 trip to Cambodia. Valentino later made a similar design for Jennifer Lopez at the 2003 Oscars.


Other famous Oscar designs include Cate Blanchett's yellow one-shoulder gown she wore in 2005 when she won an Academy Award for best supporting actress in The Aviator, and Reese Witherspoon's black lace and bead embellished dress she wore in 2002 at her first Oscars.



But the most celebrated Valentino Oscar look was in 2001 when Julia Roberts won the best actress Oscar for Erin Brockovich in a black gown with wide white satin piping down the center front and a tulle train.

 It was from a 1992 collection and was a huge hit.


Valentino called that moment one of the highlights of his career.

 He said, "I have to be very sincere, the person that makes me feel very happy, also because [she] chose vintage, was Julia Roberts in Erin Brockovich when she got the Academy Award." He shared this during a news conference at the 2008 Venice Film Festival, where a documentary about his life, Valentino: The Last Emperor, premiered.


Valentino Clemente Ludovico Garavani was born on May 11, 1932, in Voghera, Italy, a small town near Milan and Genoa.

 His mother, Teresa, named him after the silent film star Rudolph Valentino. She couldn’t have known he would grow up to work with many famous women or that he’d appear in two Hollywood films, The Devil Wears Prada (2006) and Zoolander 2 (2016).


Cinema played a big part in his early life.

 He said in the documentary, "I was always so attracted by magazines, by films. I had a sister who took me to see films for the first time. To me, the dream of my life was to see the beautiful ladies of the silver screen. I remember [1941’s] Ziegfeld Girl with Hedy Lamarr, Lana Turner, Judy Garland, and Jimmy Stewart. For me, to see this kind of beauty, I think from that moment I decided I wanted to create clothes for ladies."


He had a strong interest in fashion and art, especially illustration.

 At 17, he started studying fashion sketching at the Santa Maria Institute in Milan. Soon after, he moved to Paris to study at the Ecole des Beaux-Arts. His talent earned him a design competition win, which led to a position with Jean Dessés, one of the most famous Parisian couturiers after World War II.


Among Garavani's colleagues at Jean Dessès was designer Guy Laroche, who started his own label in 1957 and asked Garavani to work for him. Two years later, with money from his father, Garavani showed his first collection in a Rome apartment on Via Condotti. In 1960, the brand Maison Valentino was created. Today, the main Valentino store in Rome is just a short walk from that original spot on Via Condotti, near Piazza di Spagna.


Also in 1960, Garavani met Giancarlo Giammetti, who was studying architecture at the time.

 Giammetti joined Valentino to handle the business side, allowing Garavani to focus on design. The two became very close and were considered one of the most famous and stylish couples in Milan, especially as Valentino's success grew quickly.


The premiere of Federico Fellini's movie *La Dolce Vita* in 1960 highlighted the stylish life of modern Italy.

 Soon, Garavani and Giammetti found themselves part of a circle that included actors like Anita Ekberg, Sophia Loren, and Marcello Mastroianni.


Garavani and Giammetti were known for their charm, often seen in tailored suits, with thick, wavy hair neatly back.

 They helped build the Valentino empire, which included homes in Rome, New York, Capri, and more, along with a famous art collection and a reputation as travelers who often took their dogs on worldwide trips.


With Giammetti managing the business, Garavani could focus on his designs.

 From his first collection, he loved the color red, and a specific shade—bright with a hint of orange—became a key part of the brand. He once said in an interview with Italian Esquire, "Red is life, passion, love; it's the cure for sadness. A woman in red, especially at night, is splendid. She stands out in a crowd like a heroine."


In 2007, Valentino's work was featured at the Ara Pacis Museum in Rome.

 He said, "I am filled with emotion." For his last collection in 2008, he honored his favorite color, showing all 40 models in identical red silk dresses with asymmetrical necklines. That same red color is now officially called "Valentino Red" by Pantone.


At 75, celebrating 45 years in fashion, Valentino decided to retire in January 2008, wanting to end his career on a high note.

 After that final collection, Alessandra Facchinetti took over as creative director, but only for a year. Maria Grazia Chiuri and Pierpaolo Piccioli, who were in charge of accessories, became co-creative directors. Chiuri left to be the creative director of Dior in 2016, while Piccioli stayed until 2024. Then Alessandro Michele, who was Gucci's creative director for eight years, became the new creative director at Valentino.


Even though Garavani and Giammetti ended their romantic relationship in 1972, they stayed as business partners and close friends.

 In 2011, they created the Valentino Garavani Virtual Museum, an online archive of their work, and also arranged a worldwide exhibition.


In 2012, he designed 25 costumes for the New York City Ballet's Fall Gala.

 In 2016, they founded the Fondazione Valentino Garavani and Giancarlo Giammetti in Rome, supporting several causes, including helping underprivileged children and the elderly and running cultural programs.


He will lie in state at PM23 in Piazza Mignanelli 23 on Wednesday and Thursday from 11 a.m. to 6 p.m.

 His funeral will be held on Friday at the Basilica Santa Maria degli Angeli e dei Martiri in Piazza della Repubblica 8 in Rome at 11 a.m.


Even after retiring from fashion, Valentino never stopped loving elegance and joy in life.

 He also never stopped making women feel beautiful. In September 2007, when he announced his retirement, he said, "Even as a young boy, my passion was to design, and I have been very lucky to be able to do what I have loved all my life. There can be few greater gifts than that."

28 Years Later’ Falls to ‘Avatar 3’ With Soft $15M MLK Weekend Opening Box Office

 Even though there was a lot of excitement, Nia DaCosta's horror-zombie sequel 28 Years Later: The Bone Temple didn't do as well as expected at the box office during the long Martin Luther King Jr. holiday.

 Avatar: Fire and Ash took the top spot with an estimated $17.8 million over four days, including $14.5 million for the three-day weekend.


Sony's The Bone Temple is expected to make about $15 million over four days, with $13 million coming from the three-day weekend.

 (Exact numbers will be known after Tuesday's results.) That's much less than the opening of the first film, 28 Years Later, which made $30 million in its three-day debut in June 2025 and eventually earned $151 million worldwide. It also fell short of the predicted $20 million domestic opening.


How Jack O'Connell Became Hollywood's Favorite Bad Guy  


The 28 Years Later franchise was created by director Danny Boyle and writer Alex Garland, who brought the series to Sony after a competitive bidding process.

 Nia DaCosta is now directing Bone Temple, the second movie in what is planned to be a trilogy. Sony announced last month that they will make a third movie with Cillian Murphy, who starred in the original 28 Days Later, and Danny Boyle will return as director. It's unclear how this weekend's performance might affect these plans. In 2002, 28 Days Later only made $10 million at first but became a big hit and changed the zombie genre.


Sony is still hopeful that good word of mouth could help Bone Temple do better.

 The movie received strong reviews (94% on Rotten Tomatoes), a rare A- CinemaScore for a horror film, and a 4.5 PostTrak rating. The film stars Ralph Fiennes, Jack O'Connell, Alfie Williams, Erin Kellyman, and Chi Lewis-Parry.


Avatar 3, now in its fifth weekend, stayed in first place as it moves toward the $400 million mark in the US.

 So far, it has made an estimated $358 million domestically and over $1.2 billion globally.


James Cameron's threequel wasn't the only Disney movie making news.

 Zootopia 2 became the highest-grossing animated film of all time globally during the MLK weekend, beating Disney/Pixar's Inside Out 2 (not adjusted for inflation). It is also the ninth highest-grossing film of all time, with earnings over $1.7 billion, including $390 million domestically and $1.3 billion internationally.


Zootopia 2 made an estimated $12 million over four days, including $9.2 million for the three-day weekend.



The Sydney Sweeney-Amanda Seyfried movie The Housemaid continued to do well for Lionsgate, dropping only 21% in its fifth weekend to an estimated $8.6 million for the three days and $10.2 million for the four days.

 It's now expected to cross $100 million domestically and could reach $250 million sometime this week, which is a big achievement.


Josh Safdie's Marty Supreme came in fifth.

 From A24, the movie has been doing better than expected since its Christmas release. Experts predicted it would get a boost after Timothée Chalamet won best actor at the Golden Globes last weekend. It made an estimated $6.7 million for the four days, including $5.5 million for the three days. With a domestic total of $80 million through Sunday, it has now surpassed Oscar winner Everything Everywhere All at Once to become A24's top-performing movie of all time.


At the specialty and awards box office, Chloé Zhao's Hamnet, another award contender, expanded its showings after winning best drama at the Golden Globes on January 11.

 Oscar hopeful Jesse Buckley won the best actress award. The film, which initially played in a few theaters in November, added more showings around Christmas and again this weekend. Playing in 718 theaters, it earned an estimated $1.6 million for the four days, bringing its domestic total to $15 million. Focus plans to expand further after Oscar nominations are announced. Hamnet's producers, Steven Spielberg and Sam Mendes, are actively promoting the film for awards.


January 18, 8:30 a.m.: Updated with Sunday estimates.

January 19, 8:35 a.m.: Updated with Monday estimates.

This story was originally published on January 17 at 8:15 a.m.

Monday, January 19, 2026

Sentimental Value’ Dominates European Film Awards

"Sentimental Value" was the top winner at the European Film Awards on Saturday, with the family drama directed by Joachim Trier taking home prizes for film, director, screenplay, music, and performances by Stellan Skarsgård and Renate Reinsve.

Oliver Laxe's dark road movie "Sirât" won the most awards in the craft categories, including casting, cinematography, editing, production design, and sound.
However, "Sentimental Value" took the biggest awards in the main categories, winning six honors and becoming the night's biggest winner.

The ceremony was held on Saturday evening in Seville, Spain.
It was produced by British filmmaker and historian Mark Cousins. The event started with a message from Iranian director Jafar Panahi, who asked artists to speak out against injustices, like the deaths of protesters in his country.

Panahi said, "If we are disappointed with politicians, we must at least refuse to remain silent.
Because silence in a time of crime is not neutrality. Silence is a participation in darkness."

The nominees for best European film included five entries that are also in the Academy Awards' Best International Feature Film category.
These films are Norway's "Sentimental Value," France's "It Was Just an Accident," Spain's "Sirât," Germany's "Sound of Falling," and Tunisia's "The Voice of Hind Rajab."

"Arco" won the animated feature award, and the documentary prize went to "Fiume o Morte!"


In the craft categories, "Sirât" won the most awards, including casting, editing, production design, and sound.
"Bugonia" won for make-up and hair, and "Sound of Falling" won for costume design.

Honorary awards were given to actress Liv Ullmann, director Alice Rohrwacher, and Komplizen Film producers Maren Ade, Jonas Dornbach, and Janine Jackowski.


Going into the ceremony, "Sirât" had the most nominations with nine (including those for Excellence Awards in the craft categories), followed by "Sentimental Value" with eight, "Sound of Falling" with seven, "Bugonia" with five (but no best film nomination), and "It Was Just an Accident" with four.


It's worth noting that no European Film Award winner for best film has ever won the Oscar for Best Picture.
However, seven of them have been nominated, including four in the last six years.

Here is the full list of nominees. Winners are indicated by *WINNER*.

Film

“It Was Just an Accident”

“Sentimental Value” *WINNER

“Sirât”

“Sound of Falling”

“The Voice of Hind Rajab”

(nominees in the documentary and animated feature film categories are also considered eligible in this category)


Documentary

“Afternoons of Solitude”

“Fiume o Morte!” *WINNER

“Riefenstahl”

“Songs of Slow Burning Earth”

“With Hasan in Gaza”


Animated Feature Film

“Arco” *WINNER

“Dog of God”

“Little Amelie”

“Olivia and the Invisible Earthquake”

“Tales From the Magic Garden”


Director

Yorgos Lanthimos for “Bugonia”

Oliver Laxe for “Sirât”

Jafar Panahi for “It Was Just an Accident”

Mascha Schilinski for “Sound of Falling”

Joachim Trier for “Sentimental Value” *WINNER


Actress

Leonie Benesch for “Late Shift”

Valeria Bruni Tedeschi for “Duse”

Léa Drucker for “Case 137”

Vicky Krieps for “Love Me Tender”

Renate Reinsve for “Sentimental Value” *WINNER


Actor

Sergi López for “Sirât”

Mads Mikkelsen for “The Last Viking”

Toni Servillo for “La Grazia”

Stellan Skarsgård for “Sentimental Value” *WINNER

Idan Weiss for “Franz”


Screenwriter

Santiago Fillol and Oliver Laxe for “Sirât”

Jafar Panahi for “It Was Just an Accident”

Mascha Schilinski and Louise Peter for “Sound of Falling”

Paolo Sorrentino for “La Grazia”

Eskil Vogt and Joachim Trier for “Sentimental Value” *WINNER


Discovery – Prix FIPRESCI

“Little Trouble Girls”, dir. Urška Djukić

“My Father’s Shadow”, dir. Akinola Davies Jr

“On Falling”, dir. Laura Carreira *WINNER

“One of Those Days When Hemme Dies”, dir. Murat Fıratoğlu

“Sauna”, dir. Mathias Broe

“Under the Grey Sky”, dir. Mara Tamkovich


Young Audience Award

“Arco”

“I Accidentally Wrote a Book”

“Siblings” *WINNER


Casting Director

Yngvill Kolset Haga and Avy Kaufman for “Sentimental Value”

Nadia Acimi, Luís Bértolo and María Rodrigo for “Sirât” *WINNER

Karimah El-Giamal and Jacqueline Rietz for “Sound of Falling”


Cinematographer

Mauro Herce for “Sirât” *WINNER

Fabian Gamper for “Sound of Falling”

Manu Dacosse for “The Stranger”


Composer

Jerskin Fendrix for “Bugonia”

Michael Fiedler & Eike Hosenfeld for “Sound of Falling”

Hania Rani for “Sentimental Value” *WINNER


Costume Designer

Ursula Patzak for “Duse”

Michaela Horáčková Hořejší for “Franz”

Sabrina Krämer for “Sound of Falling” *WINNER


Editor

Yorgos Mavropsaridis for “Bugonia”

Toni Froschhammer for “Die My Love”

Cristóbal Fernández for “Sirât” *WINNER


Make-Up and Hair Artist

Torsten Witte for “Bugonia” *WINNER

Gabriela Poláková for “Franz”

Irina Schwarz and Anne-Marie Walther for “Sound of Falling”


Production Designer

James Price for “Bugonia”

Jørgen Stangebye Larsen for “Sentimental Value”

Laia Ateca for “Sirât” *WINNER


Sound Designer

Johnnie Burn for “Bugonia”

Laia Casanovas, Amanda Villavieja and Yasmina Praderas for “Sirât” *WINNER

Gwennolé Le Borgne, Marion Papinot, Lars Ginzel, Elias Boughedir and Amal Attia for “The Voice of Hind Rajab”


Short Film – Prix Vimeo

“Being John Smith”

“City of Poets” *WINNER

“L’Avance”

“Man Number 4”

“The Flowers Stand Silently, Witnessing”


Eurimages International Co-Production Award: Maren Ade, Jonas Dornbach and Janine Jackowski, Komplizen Film

European Achievement in World Cinema Award: Alice Rohrwacher

Lifetime Achievement Award: Liv Ullman

’28 Years Later: The Bone Temple’ Falls to ‘Avatar 3’ with Soft $15M MLK Weekend Opening

 28 Years Later: The Bone Temple is arriving after people expected more, as the only new wide movie opening this week during the Martin Luther King Jr. holiday. The main movie showing this weekend will be Avatar: Fire and Ash, which is still playing.


Sony's The Bone Temple is hoping to make $15 million in four days and $13 million in three days.

 That is much less than the first 28 Years Later, which made $30 million in three days back in June. It's also lower than the $20 million that was thought to be possible for Bone Temple before the weekend started.


Avatar 3, which has been playing for five weekends now, is expected to make $17 million this week.

 So far, the movie has made $353.4 million in the US and more than $1.23 billion worldwide.


Related stories include Nia DaCosta, the director of The Bone Temple, who is building a strong career based on her childhood interests.

 Jack O'Connell plays Sir Jimmy Crystal in The Bone Temple. The 28 Years Later series was created by director Boyle and writer Alex Garland, who brought the franchise to Sony after a big competition. Nia DaCosta is directing Bone Temple, the second part of a planned trilogy. Sony said last month they will make a third part with Cillian Murphy, who played in the original 28 Days Later, and Boyle will direct again. It's not clear if this weekend's results might change that plan.


Sony insiders are hopeful that the positive reviews could help Bone Temple do well.

 The movie earned strong reviews (94% on Rotten Tomatoes), an A- CinemaScore (which is rare for a horror movie), and a 4.5 PostTrak rating. The movie stars Ralph Fiennes, Jack O'Connell, Alfie Williams, Erin Kellyman, and Chi Lewis-Parry.


Disney Animation's Zootopia 2 has become the highest-grossing animated film ever globally, surpassing Inside Out 2 and becoming the ninth highest-grossing film overall with a $1.313 billion global total.

 It is ending its eighth weekend in the US at third place with a projected $11.6 million this week.


Lionsgate's The Housemaid dropped 22% in its fifth weekend and is expected to come in fourth with $10.1 million this week, bringing its total domestic earnings to $108.7 million.



Josh Safdie's Marty Supreme is in fifth place.

 It has done better than expected since its Christmas release, and people wondered if it would get a boost after Timothée Chalamet won best actor at the Globes. It's expected to make around $6.9 million this week, raising its total domestic earnings to $80 million.


Chloé Zhao's Hamnet is expanding.

 It won best drama at the Golden Globes on January 11, and Jesse Buckley won the actress prize. The movie, which first came out in limited release over Thanksgiving, is now playing in 718 theaters and is expected to make $1.6 million this week, bringing its total domestic earnings to $15 million. Focus Features plans more expansion after Oscar nominations are announced.


January 18, 8:30 a.m.: Updated with Sunday figures.



This story was originally published on January 17 at 8:15 a.m.

Friday, January 16, 2026

All You Need Is Kill Movie

All You Need Is Kill

Original title: Ôru yû nîdo izu kiru

All You Need Is Kill movie poster

2025 |  R | 1h 22m

Release date

January 16, 2026 (United States)

Directors

Ken'ichirô AkimotoYukinori Nakamura

Writers

Yûichirô KidoHiroshi Sakurazaka

Cast

Ai Mikami

Natsuki Hanae

Mô Chûgakusei

Producer

Eiko Tanaka

producer

Composer

Yasuhiro Maeda

Art Directors

Tomotaka Kubo

Takanori Nakajima

Junji Ôkubo

Sound Department

Michael Archacki

re-recording mixer

Kôji Kasamatsu

sound designer / sound director

Shane Slack

adr editor / adr recordist / dialogue recordist

Visual Effects

Masaya Inaba

camera mapping supervisor

Animation Department

Yoshitoshi Abe

original character designer

Izumi Murakami

animator: main

Tomonari Nakajima

animator: main

Yukinori Nakamura

animator: main

Konoha Suzuki

Color Designer

Hisato Tokumaru

animation supervisor: Animation Director

Music Department

Akasaki

theme music composer

28 Years Later: The Bone Temple Movie

28 Years Later: The Bone Temple

28 Years Later - The Bone Temple movie poster

2026 | R | 1h 49m

Genre: Horror

Directed by

Nia DaCosta

Written by

Alex Garland

Produced by

Andrew Macdonald

Peter Rice

Bernie Bellew

Danny Boyle

Alex Garland

Cast

Ralph Fiennes

Jack O'Connell

Alfie Williams

Erin Kellyman

Chi Lewis-Parry

Cinematography Sean Bobbitt

Edited by Jake Roberts

Music by Hildur Guðnadóttir

Production

companies

Columbia Pictures

Decibel Films

DNA Films

Distributed by Sony Pictures Releasing

Release dates

14 January 2026 (United Kingdom)

16 January 2026 (United States)

Running time 109 minutes[

Countries

United Kingdom

United States

Language

English

A Private Life Movie

A Private Life

A Private Life movie poster

Original title: Vie privée

2026 | R | 1h 43m

Genre: Crime, Drama, Mystery, Thriller

Directed by Rebecca Zlotowski

Screenplay by Rebecca Zlotowski

Anne Berest

Gaëlle Macé

Produced by

Frederic Jouve

Cast

Jodie Foster as Lilian Steiner

Daniel Auteuil as Gabriel Haddad

Virginie Efira as Paula Cohen-Solal

Mathieu Amalric as Simon Cohen-Solal

Vincent Lacoste as Julien Haddad-Park

Luana Bajrami as Valérie Cohen-Solal

Cinematography

George Lechaptois

Edited by Géraldine Mangenot

Music by Robin Rob Coudert

Production

companies

Les Films Velvet

France 3 Cinéma

Distributed by Ad Vitam[

Release date

January 16, 2026 (United States)

Running time 103 minutes

Country France

Language French