Tuesday, October 6, 2026

Digger’ Majorly Bombs With $8 Million Opening Weekend, ‘Verity’ Scores $32 Million Debut Box Office

Tom Cruise plays a rich oil business leader in the movie *Digger*.He thought he was ready for a big environmental disaster, but he wasn't ready for the disaster at the movie theaters.*Digger* made only $8 million from 3,321 theaters in North America.Rivals think the total might be around $7.5 million once all the numbers are added up on Monday.

The movie cost between $160 million and $180 million to make.
It's expected to be one of the worst-performing movies of the year, maybe even of all time.Warner Bros.hoped that having Tom Cruise, one of the biggest stars, and director Alejandro González Iñárritu, who made successful movies like *Birdman* and *The Revenant*, would help the movie make at least $18 million to $20 million on its first day.But even that amount would have been too little for a movie with such a big budget.Experts said the movie needed to make close to $40 million on its opening day to be worth the money.However, bad reviews and word-of-mouth made those numbers even lower.

* Digger* opened in fifth place behind another new movie, *Verity*, starring Anne Hathaway and Dakota Johnson, and three older movies.
Analyst David A.Gross of Franchise Re said, “For a black comedy, the numbers are not bad.But black comedies are small films, and this isn’t a small film.It’s a Tom Cruise movie.The comedy walks a fine line, and when it misses, it misses.”

The reviews for *Digger* have been very negative.
Warner Bros.tried to deal with the bad reviews by making ads that told people to “decide for yourself.” Critics called the movie “unpleasant” and “baffling.” Another ad suggested only American viewers disliked it, but the movie also got bad reviews in other countries.It made just $12 million from 73 international markets, giving it a global opening of $20 million.

* Digger* was always a risky movie — a big budget, star-driven R-rated comedy.
Warner Bros.approved it for $125 million, but the cost went up as the production took longer.Then the studio spent another $100 million on marketing.According to some people who know similar movies, *Digger* needs to make around $350 million globally just to break even.A Warner Bros.spokesperson said the break-even point is $300 million.Either way, *Digger* is expected to lose at least $150 million to $200 million in theaters.(Theaters usually keep about half of ticket sales.)

Cruise gets a percentage of the money before the studio recoups any costs, so the studio will lose even more.
Analyst David A.Gross said, “Even with decent income from other sources like streaming and TV, the movie is going to lose a lot of money.”

* Digger* adds to a poor year for Warner Bros., which has had other bad movies like *The Bride* and *Supergirl*.
The timing has also been bad because the merger between Paramount and Warner Bros.is set to finish next week.News came out that Mike De Luca and Pam Abdy, two top leaders at Warner Bros., are leaving when the merger is done on October 6.They had a great year in 2025 with hit movies like *Sinners*, *A Minecraft Movie*, and *Weapons*.But so far in 2026, none of their movies have made over $100 million in North America.

Last year, no one expected *Verity* to beat *Digger* at the box office.
*Verity*, an Amazon MGM movie based on a best-seller by Colleen Hoover, has made $32.6 million from 3,510 theaters.It is Hathaway’s third number-one opening of the year after *The Devil Wears Prada 2* and *The Odyssey*.Hathaway has also joked that she is going to take a break from acting for the rest of the year.

"Verity" made another $30 million at the international box office, which brings its total worldwide earnings to $62.5 million.

‘The Batman Part II’ Production Paused as Filmmaker Matt Reeves Steps Away for “Family Matter”

The Batman: Part II is on hold as director Matt Reeves handles a personal issue, according to sources who told The Hollywood Reporter.

A DC Studios spokesperson said in a statement shared with Deadline, which first reported the news, "Production on The Batman Part II has been temporarily paused while Matt Reeves focuses on a family matter.
Matt has the full support of DC Studios, and we look forward to continuing the journey soon."

Filming for The Batman Part II started in London in June after several delays during the development process.
Reeves and co-writer Mattson Tomlin worked on the script over time.The film is scheduled to come out on February 18, 2028, and is seen as a key project for DC Studios because Batman is one of DC's most successful characters at the box office.

Robert Pattinson plays Bruce Wayne/Batman in the movie, with new characters added to the series, including Scarlett Johansson and Sebastian Stan.

Reeves directed 2022's The Batman, which made $770.3 million worldwide, and created the TV series The Penguin, featuring Colin Farrell.
He also produced DC's upcoming Clayface movie, which focuses on the Batman villain and is set for release on October 23.

This news comes as Skydance is completing its takeover of DC Studios from Warner Bros.
on Tuesday.DC executives James Gunn and Peter Safran are staying with the new ownership, while Warner Bros.film leaders Mike De Luca and Pam Abdy are leaving.

Monday, October 5, 2026

John Oliver Has Re-Acquired Russell Crowe’s Iconic Jock Strap

 Russell Crowe's jock strap has once again come into John Oliver's possession.This is the third time the host of Last Week Tonight has ended up with the undergarment that Crowe wore in the 2005 movie Cinderella Man.


The story began in 2008 when Oliver bought the item at an auction Crowe hosted called "The Art of the Divorce." Crowe sold over 200 things after he separated from his wife, Danielle Spencer.


After the auction, Crowe told Good Morning Britain that the jock strap was one of the most popular items sold.

He explained it was part of his collection as a joke, based on the character he played in the movie.He said it had become quite famous.


John Oliver and his team bought the jock strap for $7,000 along with other items.

They then donated it to the last Blockbuster Video store in Anchorage, Alaska, to help support the business.The store displayed the item but later closed down in 2018.


Crowe had said he donated the money from the sale to the Australia Zoo, which planned to use it for the "John Oliver Koala Chlamydia Ward."


After the Blockbuster closed, the jock strap returned to Oliver by the end of 2018.

Crowe even appeared in a sketch with the item.


In 2025, the team at Last Week Tonight put the jock strap up for auction again to raise money for public TV and radio.

It sold for $21,000 to an anonymous buyer.


Later in 2024, the jock strap was put up for auction again in August, and it sold for $10,000 to an unknown buyer.

It turned out the buyer was John Oliver and his team.


Oliver shared this news during a segment on the Secret Service on Sunday's Last Week Tonight.

He compared the Secret Service's "zero fail" mission to his show's mission.


He said, "If they fail, it can change the course of history, a level of pressure I truly cannot fathom.

I'm pretty confident the historical legacy of this show will be a few hundred thousand dollars for food banks, a koala chlamydia ward, and whatever the fuck is going on with Russell Crowe's jockstrap right now."


He added, "Because, quick update: After we auctioned the jockstrap off at the end of last year, in aid of public media, it was apparently put up for auction again in August, where, I'm happy to tell you: It sold for $10,000.

And the reason I know that is, of course we fucking bought it back."


Oliver then brought out the undergarment and addressed it directly: "I cannot wait to find out where you're gonna go next."

China Box Office: Crime Procedural ‘Traces of Justice’ Leads National Day Frame

 New Classics Pictures' crime drama "Traces of Justice" was the biggest movie in mainland China during the weekend of October 2-4.

It made RMB208.9 million, which is about $31.2 million, according to Artisan Gateway.


The movie, also called "Sherlock of China," came out on October 1 as part of the Golden Week holiday.

It has made $41.8 million so far.Directed by Chen Sicheng, who also directed "Detective Chinatown," and written by Ji Zhang, the film stars Zhang Yi, Li Ma, Li Xuejian, Karry Wang, Fan Chengcheng, and Chen Feiyu.It covers many years and follows a famous detective and his team as they solve tough crimes while showing how China's public security system has changed over time.


Beijing Joy Fun Pictures' comedy "Mr.

& Mrs.Pardon" came in second, earning $17.3 million over the weekend.This brings its total to $24.5 million since it started on October 1.Directed by Shen Chunyang and written by Ma Duo, the movie is a funny family comedy.It stars Shen Chunyang and Xiao Shenyang, along with Jia Bing and Yu Yang.The story is about a middle-aged couple who are tired of their routine life and facing marital problems.After a strange body swap, their normal life turns into a chaotic comedy.


Dirty Monkeys' war comedy-drama "Once Upon a Time in the Middle East" was third in its eighth weekend.

It made $4.4 million, increasing its total to $349.9 million since August 11.Directed by Wen Muye, the film stars Shen Teng, Jiang Qiming, Aarif Rahman, and Omar Sherif.It follows a Chinese chef who runs a restaurant in a made-up Middle Eastern city.When war breaks out, his restaurant becomes a safe place for civilians.


Pearl Studio's animated fantasy comedy "All Wishes Come True!" came in fourth in its 12th weekend, earning $4.3 million.

Directed by Mu Zhengyang, the film has made $302.2 million since it started on July 18 and has passed the RMB2 billion mark.


Rounding out the top five, CMC Pictures' crime action thriller "Go for Broke 2" opened with $4.2 million over two days.

With preview screenings starting on October 3, the film has made $4.2 million so far.Written and directed by Marc Ma, who also directed the first movie, the story follows a mother who lost her child.She teams up with another parent who also lost a child to hunt down a violent criminal group.


The overall box office for mainland China during the weekend was $74.1 million, as more people went to the movies for the National Day holiday.

So far this year, the total box office revenue is $4.52 billion, which is 29.7% less than the same time last year.

Sunday, October 4, 2026

Florence Pugh on How Zoe Kazan ‘East of Eden’ Collaboration Helped Boost Her Confidence

When Zoe Kazan started working on turning *East of Eden* into a seven-episode Netflix limited series, she had only one person in mind for the main role of Cathy Ames: Florence Pugh.

Kazan once told Netflix that she didn’t have any other actress she thought could match Pugh’s talent.
“She is the exact right person to play Cathy,” she said.

She explained that Pugh perfectly captured how John Steinbeck described Cathy in the book.


“Cathy Ames is described in the book as kind of doll-like but with something icy or strong inside,” Kazan told The Hollywood Reporter at the New York premiere of *East of Eden*.
“And I felt in Florence this mix of a very feminine look with, in a Jungian sense—not in a gender way—of masculinity in her soul.She had a lot of raw emotion, strength, and action, which is very Cathy to me.”

Kazan was also impressed by Pugh’s performance in *Midsommar* from 2019.


“I feel like that performance showed a new kind of talent,” Kazan said.
“I think she’s a genius.Even though that character is very different from Cathy, if she can do that kind of performance, she can do this.”

Kazan aimed to focus on Cathy’s point of view and better understand the complex antihero’s motivations.
Pugh also took on an executive producer role in *East of Eden*, playing a central part in the series’ creation since she joined in 2020.

Pugh said she felt “very honored” when Kazan asked her to be in the project.


“I couldn’t believe that she wanted to cast me,” Pugh told THR on the premiere red carpet.


Being involved in the production as an executive producer helped her feel more confident.


“She really wanted me to be part of the process; she wanted to create it with me.
And that was huge,” Pugh said.“At that time in my career and life, I was given an opportunity that was a big moment for me to step up and lead in a different way.Those moments in people’s careers are the beginning of feeling truly confident about yourself.This project has meant a lot to me.”

Pugh also shared her journey with *East of Eden* on Instagram, saying of Kazan, “Zoe Kazan has poured her heart and soul into this project.
I wouldn’t have been able to do any of this without her.She was my protector, my work wife, my cheerleader, my confidence.She created something so epic we all wanted to work on it.”

*East of Eden* has received excellent reviews (it has an 85% freshness rating on Rotten Tomatoes), and Pugh’s performance is especially praised.


In a review for THR, chief TV critic Dan Fienberg writes that Pugh “tears into one of fiction’s great and confusing antagonists, a woman so determined and wicked that she makes Becky Sharp from *Vanity Fair* look like a Girl Scout.” He adds that having Pugh play a character who is reluctant to reveal her truth is a smart choice, putting the focus on others who don’t realize what’s obvious to viewers.
“Cathy is scary when she lies, but she’s scarier when she tells the truth,” Fienberg writes, “with an honest honesty that is purely Pugh-ian.She’s so good that even in the second half of the series, when Cathy ages past the point where Pugh is convincing, it still works.”

Esquire calls Pugh’s performance a “career best,” and USA Today says she makes the show a “must see.”

Paul Rudd Says He Stopped Bringing His Phone to Film Sets Because He’s ‘Addicted Like Everybody Else’: ‘They’re Facilitating Our Own Destruction’

Paul Rudd stars as the host of the first-ever gathering focused on tackling America's climate problem in the movie "A Statement," directed by Tom McCarthy, who has won an Oscar.The film is set in a Florida beach resort in 1980 and follows 20 experts who spend a weekend in a conference room, much like the movie "12 Angry Men," discussing how to write a statement for Congress about the impact of carbon emissions on the climate.

Rudd said he felt more connected with the large group of actors, including Paul Giamatti, Tatiana Maslany, and John Turturro, because he left his smartphone in his trailer.
He said he has been doing this for a while now.

"I don't bring my phone to set.
I haven't done that for a while," he told Variety during the film's world premiere at the New York Film Festival."It's important to put it down.Anytime.They're terrible things.I'm addicted to them like everyone else.They're helping destroy us."

Rudd explained that McCarthy had a strict no-phone rule on the set of "A Statement," which helped the cast bond more and made filming feel more like a play.

"The world has changed since cell phones came around.
We don't look at each other or talk to each other the same way anymore," Rudd said."Now, with the phone ban, we were forced to really spend time with each other and talk.Working on a movie set in 1980, we were dressed a certain way.It felt like, 'Oh yeah.I remember this.This feels like it used to feel when people sat around and spoke to one another.'"

Amy Ryan, whose character gives a serious warning to the group at the film's end, encouraged other filmmakers to follow McCarthy's example.
She said the lack of notifications and endless scrolling definitely made the work richer.

"What happens is there's a five-minute break and people are connected.
'Hey, what are you doing?How's your morning?What do you think of this scene?'" Ryan explained."I equate it to when you quit sugar.In three days, it's out of your system.You don't miss it!And hopefully, it becomes like a toy you're gonna get sick of."

A Statement’ Review: Just What We Need Right Now — Another Movie About Climate Change! But Tom McCarthy’s Historically Based Talkfest Reveals How Much We Knew in 1980

If you see just one movie this year about a group of smart people — scientists, teachers, lawyers, activists, and government workers — who meet in a hotel in St.Petersburg, Florida, in 1980 to talk about climate change, then make sure it's "A Statement" (until something better comes along).This meeting actually happened.It was organized by the U.S.Congress.Back then, people were starting to worry about global warming.The group met for three days in Florida, and their job was to write a plan that would look at the dangers of climate change and suggest what should be done about it.

"A Statement" was directed and written by Tom McCarthy, who also made "Spotlight" and "Stillwater." The movie stars some great actors, like Paul Rudd, who plays the calm leader of the meeting, Paul Giamatti as a tough government official, John Turturro as a funny professor, and Amy Ryan as a quiet person who becomes the group's moral guide.

The movie doesn't have any action scenes, car chases, or big stunts.
It’s all about the meeting — 20 people talking, arguing, and trying to figure things out.The whole movie is about how people talk to each other.I really like movies that focus on conversations — like "12 Angry Men" or "Before Sunrise." I think talk can be action, and I enjoy seeing smart people argue about important issues.That's why I think "A Statement" is right up my alley.

But I also had mixed feelings about it.
On paper, it sounds interesting, but the movie is both talky and slow, intense but boring at times.It wants to be a powerful documentary-style film, but I'm not sure who would want to watch it.I think it's more like a very long article made into a movie, and I don't think many people will be interested.

McCarthy and his writing team, Thomas Bidegain and Noé Debré, didn't make up any of the dialogue.
They used the real conversations from the meeting, word for word.That's a bold choice, and McCarthy is a good director who knows how to capture the feel of a meeting.He shows how meetings can be full of talking, back-and-forth arguments, and people trying to get their point across, even if they don't really agree.

For people who have ever been in such a meeting — which is almost everyone — this might feel a bit like a mixed blessing.
These meetings can be useful, but they can also be frustrating.People keep talking, trying to one-up each other, and eventually everything gets settled with a compromise that doesn't really matter.That's the kind of feeling you get in "A Statement."

It's interesting to watch these conversations from 1980, especially because you might think they'd sound out of touch.
But the surprising thing is that they don't.There's no "back then they didn’t know what they didn’t know" feeling.The people back then were already thinking about climate change, and they were taking it seriously.

The movie is partly based on the 2019 book "Losing Earth: The Decade We Could Have Stopped Climate Change" by Nathaniel Rich, which talks about the 1980s.
The main idea of the book is that back then, people already knew a lot about the problem — at least the experts did.

Early in the movie, the character played by Turturro, Dr.
David Rose, uses an overhead projector to show five slides.These slides show graphs that explain how carbon dioxide levels are rising and what damage this will cause to the environment.The facts presented are clear, even though there are some small disagreements about them.The slides show dangers like the thinning of the ozone layer, the serious risks of using fossil fuels, and the timeline showing how things are moving towards a dangerous future.

Most of us didn't really start learning about global warming until later in the 1980s, like when Bill McKibben wrote a big article in the New York Review of Books in 1988 asking if the world was getting hotter.It's surprising that people in this group were already thinking about it so much.So, what are the people in the room actually arguing about?I wish they would argue more.There's a lot of fine-tuning and back-and-forth, and since climate change is all about trying to predict the future, there's a big disagreement on how they should think about the threat.Should they say, “This is what will happen” or “This is what could happen”?That's a good question to have.

Some people in the group are more worried about their own positions and don't want to upset people in power.
One person, Jason Clarke, is described as a loud and full-of-himself person.But even with all the arguing, the main ideas people are talking about don't really differ that much.

Two of the most noticeable characters are a professor played by Turturro and Rafe Pomerance, who is the leader of Friends of the Earth.
Pomerance was one of the first environmental activists to talk about climate change.He's played by Evan Peters, with a beard and long hair, looking like a passionate, angry hippie.He waits for the right moment to speak, but he believes it's too late to wait any longer.He wants the group to tell Congress the truth, no matter how bad it sounds.

It's clear to most of us that he's right.
They should be telling Congress just how serious the situation is, or even worse, what it will be if they don't act.But even if they do manage to tell Congress, the bigger question is, what should they actually do?

Early on, there's a moment that hints at the real debate.
When Rafe, the counterculture type, meets the professor and finds out he's a nuclear scientist, he jokes about calling him the "Big Bad Wolf." The professor laughs, but back then, saying the word "nuclear" could make people very uncomfortable.However, the professor really knows what he's talking about.He's way ahead of his time, pointing out that renewable energy, like solar, isn't enough to replace fossil fuels.And, surprise, that's still true today.The only energy source that could actually replace fossil fuels right now is nuclear energy.The professor says this out loud.(If you're not sure, check out the documentary "Pandora's Promise" or "Nuclear Now" by Oliver Stone.)

But the professor is ignored, not just by Rafe, but also by a strict lawyer played by Tatiana Maslany who doesn't like the word "nuclear." I found it interesting that the movie brings up this topic, but it's quickly dropped.
This makes me wonder: what is the movie really trying to say?By the end, the movie seems to suggest that we're like Hamlet—able to talk about climate change, but unable to take action.That's an important point.

In a way, "A Statement" is a perfect example of this problem.
It's a low-budget indie movie, similar to "Digger," and it feels like it's mostly just showing that some Hollywood people care about climate change.But if they really cared, why don't they do something bigger, something really different?"A Statement" shows a moment in time and gives a glimpse of what was known back then.

As a drama, the film is kind of like greenhouse gases.
It keeps you stuck in a place that isn't brave enough to think of ways to fix things.