Tuesday, October 6, 2026

'Avengers: Endgame' Is Now the Highest Grossing Movie of All Time

It's confirmed.*Avengers: Endgame* has become the highest-grossing movie ever, making $2.93 billion worldwide, beating *Avatar* by James Cameron, which made $2.92 billion.The re-released *Avengers: Endgame* Encore, which includes new scenes to introduce *Avengers: Doomsday* coming out on December 18, earned $36.2 million in its first two weeks.This number increased because of higher ticket prices at Infinity Vision, Marvel's special large-format screens that compete with *Dune: Part Three*'s control over IMAX screens in December.

There's a lot of excitement for *Doomsday*, especially after *Spider-Man: Brand New Day* became one of the biggest hits ever, with $2.51 billion in sales so far.
Looking at the top 10 highest-grossing movies, three series — *Avengers*, *Avatar*, and *Spider-Man* — each have two films on the list.*Doomsday* is expected to join that list once its theatrical run is done.

1.
*Avengers: Endgame*  
2.
*Avatar*  
3.
*Spider-Man: Brand New Day*  
4.
*Avatar: The Way of Water*  
5.
*Ne Zha 2*  
6.
*Titanic*  
7.
*Star Wars: Episode VII - The Force Awakens*  
8.
*Avengers: Infinity War*  
9.
*Spider-Man: No Way Home*  
10.
*Zootopia 2*

Digger’ Majorly Bombs With $8 Million Opening Weekend, ‘Verity’ Scores $32 Million Debut Box Office

Tom Cruise plays a rich oil business leader in the movie *Digger*.He thought he was ready for a big environmental disaster, but he wasn't ready for the disaster at the movie theaters.*Digger* made only $8 million from 3,321 theaters in North America.Rivals think the total might be around $7.5 million once all the numbers are added up on Monday.

The movie cost between $160 million and $180 million to make.
It's expected to be one of the worst-performing movies of the year, maybe even of all time.Warner Bros.hoped that having Tom Cruise, one of the biggest stars, and director Alejandro González Iñárritu, who made successful movies like *Birdman* and *The Revenant*, would help the movie make at least $18 million to $20 million on its first day.But even that amount would have been too little for a movie with such a big budget.Experts said the movie needed to make close to $40 million on its opening day to be worth the money.However, bad reviews and word-of-mouth made those numbers even lower.

* Digger* opened in fifth place behind another new movie, *Verity*, starring Anne Hathaway and Dakota Johnson, and three older movies.
Analyst David A.Gross of Franchise Re said, “For a black comedy, the numbers are not bad.But black comedies are small films, and this isn’t a small film.It’s a Tom Cruise movie.The comedy walks a fine line, and when it misses, it misses.”

The reviews for *Digger* have been very negative.
Warner Bros.tried to deal with the bad reviews by making ads that told people to “decide for yourself.” Critics called the movie “unpleasant” and “baffling.” Another ad suggested only American viewers disliked it, but the movie also got bad reviews in other countries.It made just $12 million from 73 international markets, giving it a global opening of $20 million.

* Digger* was always a risky movie — a big budget, star-driven R-rated comedy.
Warner Bros.approved it for $125 million, but the cost went up as the production took longer.Then the studio spent another $100 million on marketing.According to some people who know similar movies, *Digger* needs to make around $350 million globally just to break even.A Warner Bros.spokesperson said the break-even point is $300 million.Either way, *Digger* is expected to lose at least $150 million to $200 million in theaters.(Theaters usually keep about half of ticket sales.)

Cruise gets a percentage of the money before the studio recoups any costs, so the studio will lose even more.
Analyst David A.Gross said, “Even with decent income from other sources like streaming and TV, the movie is going to lose a lot of money.”

* Digger* adds to a poor year for Warner Bros., which has had other bad movies like *The Bride* and *Supergirl*.
The timing has also been bad because the merger between Paramount and Warner Bros.is set to finish next week.News came out that Mike De Luca and Pam Abdy, two top leaders at Warner Bros., are leaving when the merger is done on October 6.They had a great year in 2025 with hit movies like *Sinners*, *A Minecraft Movie*, and *Weapons*.But so far in 2026, none of their movies have made over $100 million in North America.

Last year, no one expected *Verity* to beat *Digger* at the box office.
*Verity*, an Amazon MGM movie based on a best-seller by Colleen Hoover, has made $32.6 million from 3,510 theaters.It is Hathaway’s third number-one opening of the year after *The Devil Wears Prada 2* and *The Odyssey*.Hathaway has also joked that she is going to take a break from acting for the rest of the year.

"Verity" made another $30 million at the international box office, which brings its total worldwide earnings to $62.5 million.

‘The Batman Part II’ Production Paused as Filmmaker Matt Reeves Steps Away for “Family Matter”

The Batman: Part II is on hold as director Matt Reeves handles a personal issue, according to sources who told The Hollywood Reporter.

A DC Studios spokesperson said in a statement shared with Deadline, which first reported the news, "Production on The Batman Part II has been temporarily paused while Matt Reeves focuses on a family matter.
Matt has the full support of DC Studios, and we look forward to continuing the journey soon."

Filming for The Batman Part II started in London in June after several delays during the development process.
Reeves and co-writer Mattson Tomlin worked on the script over time.The film is scheduled to come out on February 18, 2028, and is seen as a key project for DC Studios because Batman is one of DC's most successful characters at the box office.

Robert Pattinson plays Bruce Wayne/Batman in the movie, with new characters added to the series, including Scarlett Johansson and Sebastian Stan.

Reeves directed 2022's The Batman, which made $770.3 million worldwide, and created the TV series The Penguin, featuring Colin Farrell.
He also produced DC's upcoming Clayface movie, which focuses on the Batman villain and is set for release on October 23.

This news comes as Skydance is completing its takeover of DC Studios from Warner Bros.
on Tuesday.DC executives James Gunn and Peter Safran are staying with the new ownership, while Warner Bros.film leaders Mike De Luca and Pam Abdy are leaving.

Monday, October 5, 2026

John Oliver Has Re-Acquired Russell Crowe’s Iconic Jock Strap

 Russell Crowe's jock strap has once again come into John Oliver's possession.This is the third time the host of Last Week Tonight has ended up with the undergarment that Crowe wore in the 2005 movie Cinderella Man.


The story began in 2008 when Oliver bought the item at an auction Crowe hosted called "The Art of the Divorce." Crowe sold over 200 things after he separated from his wife, Danielle Spencer.


After the auction, Crowe told Good Morning Britain that the jock strap was one of the most popular items sold.

He explained it was part of his collection as a joke, based on the character he played in the movie.He said it had become quite famous.


John Oliver and his team bought the jock strap for $7,000 along with other items.

They then donated it to the last Blockbuster Video store in Anchorage, Alaska, to help support the business.The store displayed the item but later closed down in 2018.


Crowe had said he donated the money from the sale to the Australia Zoo, which planned to use it for the "John Oliver Koala Chlamydia Ward."


After the Blockbuster closed, the jock strap returned to Oliver by the end of 2018.

Crowe even appeared in a sketch with the item.


In 2025, the team at Last Week Tonight put the jock strap up for auction again to raise money for public TV and radio.

It sold for $21,000 to an anonymous buyer.


Later in 2024, the jock strap was put up for auction again in August, and it sold for $10,000 to an unknown buyer.

It turned out the buyer was John Oliver and his team.


Oliver shared this news during a segment on the Secret Service on Sunday's Last Week Tonight.

He compared the Secret Service's "zero fail" mission to his show's mission.


He said, "If they fail, it can change the course of history, a level of pressure I truly cannot fathom.

I'm pretty confident the historical legacy of this show will be a few hundred thousand dollars for food banks, a koala chlamydia ward, and whatever the fuck is going on with Russell Crowe's jockstrap right now."


He added, "Because, quick update: After we auctioned the jockstrap off at the end of last year, in aid of public media, it was apparently put up for auction again in August, where, I'm happy to tell you: It sold for $10,000.

And the reason I know that is, of course we fucking bought it back."


Oliver then brought out the undergarment and addressed it directly: "I cannot wait to find out where you're gonna go next."

China Box Office: Crime Procedural ‘Traces of Justice’ Leads National Day Frame

 New Classics Pictures' crime drama "Traces of Justice" was the biggest movie in mainland China during the weekend of October 2-4.

It made RMB208.9 million, which is about $31.2 million, according to Artisan Gateway.


The movie, also called "Sherlock of China," came out on October 1 as part of the Golden Week holiday.

It has made $41.8 million so far.Directed by Chen Sicheng, who also directed "Detective Chinatown," and written by Ji Zhang, the film stars Zhang Yi, Li Ma, Li Xuejian, Karry Wang, Fan Chengcheng, and Chen Feiyu.It covers many years and follows a famous detective and his team as they solve tough crimes while showing how China's public security system has changed over time.


Beijing Joy Fun Pictures' comedy "Mr.

& Mrs.Pardon" came in second, earning $17.3 million over the weekend.This brings its total to $24.5 million since it started on October 1.Directed by Shen Chunyang and written by Ma Duo, the movie is a funny family comedy.It stars Shen Chunyang and Xiao Shenyang, along with Jia Bing and Yu Yang.The story is about a middle-aged couple who are tired of their routine life and facing marital problems.After a strange body swap, their normal life turns into a chaotic comedy.


Dirty Monkeys' war comedy-drama "Once Upon a Time in the Middle East" was third in its eighth weekend.

It made $4.4 million, increasing its total to $349.9 million since August 11.Directed by Wen Muye, the film stars Shen Teng, Jiang Qiming, Aarif Rahman, and Omar Sherif.It follows a Chinese chef who runs a restaurant in a made-up Middle Eastern city.When war breaks out, his restaurant becomes a safe place for civilians.


Pearl Studio's animated fantasy comedy "All Wishes Come True!" came in fourth in its 12th weekend, earning $4.3 million.

Directed by Mu Zhengyang, the film has made $302.2 million since it started on July 18 and has passed the RMB2 billion mark.


Rounding out the top five, CMC Pictures' crime action thriller "Go for Broke 2" opened with $4.2 million over two days.

With preview screenings starting on October 3, the film has made $4.2 million so far.Written and directed by Marc Ma, who also directed the first movie, the story follows a mother who lost her child.She teams up with another parent who also lost a child to hunt down a violent criminal group.


The overall box office for mainland China during the weekend was $74.1 million, as more people went to the movies for the National Day holiday.

So far this year, the total box office revenue is $4.52 billion, which is 29.7% less than the same time last year.

Sunday, October 4, 2026

Florence Pugh on How Zoe Kazan ‘East of Eden’ Collaboration Helped Boost Her Confidence

When Zoe Kazan started working on turning *East of Eden* into a seven-episode Netflix limited series, she had only one person in mind for the main role of Cathy Ames: Florence Pugh.

Kazan once told Netflix that she didn’t have any other actress she thought could match Pugh’s talent.
“She is the exact right person to play Cathy,” she said.

She explained that Pugh perfectly captured how John Steinbeck described Cathy in the book.


“Cathy Ames is described in the book as kind of doll-like but with something icy or strong inside,” Kazan told The Hollywood Reporter at the New York premiere of *East of Eden*.
“And I felt in Florence this mix of a very feminine look with, in a Jungian sense—not in a gender way—of masculinity in her soul.She had a lot of raw emotion, strength, and action, which is very Cathy to me.”

Kazan was also impressed by Pugh’s performance in *Midsommar* from 2019.


“I feel like that performance showed a new kind of talent,” Kazan said.
“I think she’s a genius.Even though that character is very different from Cathy, if she can do that kind of performance, she can do this.”

Kazan aimed to focus on Cathy’s point of view and better understand the complex antihero’s motivations.
Pugh also took on an executive producer role in *East of Eden*, playing a central part in the series’ creation since she joined in 2020.

Pugh said she felt “very honored” when Kazan asked her to be in the project.


“I couldn’t believe that she wanted to cast me,” Pugh told THR on the premiere red carpet.


Being involved in the production as an executive producer helped her feel more confident.


“She really wanted me to be part of the process; she wanted to create it with me.
And that was huge,” Pugh said.“At that time in my career and life, I was given an opportunity that was a big moment for me to step up and lead in a different way.Those moments in people’s careers are the beginning of feeling truly confident about yourself.This project has meant a lot to me.”

Pugh also shared her journey with *East of Eden* on Instagram, saying of Kazan, “Zoe Kazan has poured her heart and soul into this project.
I wouldn’t have been able to do any of this without her.She was my protector, my work wife, my cheerleader, my confidence.She created something so epic we all wanted to work on it.”

*East of Eden* has received excellent reviews (it has an 85% freshness rating on Rotten Tomatoes), and Pugh’s performance is especially praised.


In a review for THR, chief TV critic Dan Fienberg writes that Pugh “tears into one of fiction’s great and confusing antagonists, a woman so determined and wicked that she makes Becky Sharp from *Vanity Fair* look like a Girl Scout.” He adds that having Pugh play a character who is reluctant to reveal her truth is a smart choice, putting the focus on others who don’t realize what’s obvious to viewers.
“Cathy is scary when she lies, but she’s scarier when she tells the truth,” Fienberg writes, “with an honest honesty that is purely Pugh-ian.She’s so good that even in the second half of the series, when Cathy ages past the point where Pugh is convincing, it still works.”

Esquire calls Pugh’s performance a “career best,” and USA Today says she makes the show a “must see.”

Paul Rudd Says He Stopped Bringing His Phone to Film Sets Because He’s ‘Addicted Like Everybody Else’: ‘They’re Facilitating Our Own Destruction’

Paul Rudd stars as the host of the first-ever gathering focused on tackling America's climate problem in the movie "A Statement," directed by Tom McCarthy, who has won an Oscar.The film is set in a Florida beach resort in 1980 and follows 20 experts who spend a weekend in a conference room, much like the movie "12 Angry Men," discussing how to write a statement for Congress about the impact of carbon emissions on the climate.

Rudd said he felt more connected with the large group of actors, including Paul Giamatti, Tatiana Maslany, and John Turturro, because he left his smartphone in his trailer.
He said he has been doing this for a while now.

"I don't bring my phone to set.
I haven't done that for a while," he told Variety during the film's world premiere at the New York Film Festival."It's important to put it down.Anytime.They're terrible things.I'm addicted to them like everyone else.They're helping destroy us."

Rudd explained that McCarthy had a strict no-phone rule on the set of "A Statement," which helped the cast bond more and made filming feel more like a play.

"The world has changed since cell phones came around.
We don't look at each other or talk to each other the same way anymore," Rudd said."Now, with the phone ban, we were forced to really spend time with each other and talk.Working on a movie set in 1980, we were dressed a certain way.It felt like, 'Oh yeah.I remember this.This feels like it used to feel when people sat around and spoke to one another.'"

Amy Ryan, whose character gives a serious warning to the group at the film's end, encouraged other filmmakers to follow McCarthy's example.
She said the lack of notifications and endless scrolling definitely made the work richer.

"What happens is there's a five-minute break and people are connected.
'Hey, what are you doing?How's your morning?What do you think of this scene?'" Ryan explained."I equate it to when you quit sugar.In three days, it's out of your system.You don't miss it!And hopefully, it becomes like a toy you're gonna get sick of."