Tuesday, August 11, 2026

Paramount Offers to Put David Ellison’s Annual 30-Film Theatrical Promise in Writing

 Paramount Skydance is trying to get movie theaters to back its plan to buy Warner Bros.Discovery.To do this, they have made promises about how many movies they will show in theaters each year and for how long.CEO David Ellison has promised to show at least 30 films a year for three years after the deal is done.These films will be available in theaters for a minimum of 45 days before they come out on premium video on demand and 90 days before they appear on streaming platforms.


Three people who know about the talks told TheWrap that Paramount has offered to make these promises into a written agreement with theater chains.

This has helped get support from the two biggest theater chains in the U.S., AMC Theatres and Regal Cinemas, and the British chain Vue Cinemas.All of these chains have said they support the merger.


In a statement on Thursday, Regal’s CEO Eduardo Acuna asked the whole movie theater industry and California Attorney General Rob Bonta to work together to settle the issues.

After years of low box office sales due to the pandemic and strikes, theaters have seen a recent surge thanks to big hits like *Michael*, *Toy Story 5*, *Obsession*, and the latest films *The Odyssey* and *Spider-Man: Brand New Day*.


Acuna wrote, “It’s time for all parties to sit down and work out how to formalize these commitments.

With these measures in place, we believe that Paramount can be an effective steward of these studios that mean an enormous amount to people who love movies.”


The written offers are part of a bigger effort by Paramount Skydance to get support from top entertainment leaders for the merger.

The company is also pushing for a settlement with Rob Bonta and the 11 other state attorneys generals who are fighting the deal, ahead of a trial in March 2027.


This week, the UK’s antitrust division approved the merger, even though the Culture Minister was thinking about stopping it.

That leaves the Bonta lawsuit as the last big obstacle before the deal can be completed.


While Paramount has won support from three major theater chains, some smaller chains are still worried.

They say they don’t believe Paramount and Ellison’s promises will make the movie industry better, pointing to how 20th Century Fox’s movie output dropped a lot after Disney bought it in 2019.


Other concerns include how revenue from box office sales is split and “clean screen” terms, which require a film to be shown exclusively for a set time.

These terms, according to Bonta’s lawsuit, could make it harder for theaters if the market becomes more concentrated.


Cinema United, which represents many theater chains, is against buying Warner Bros.

Discovery and supports Bonta’s lawsuit.But the group is open to future talks with Paramount.An insider said Cinema United sent a letter to Paramount back in July listing their concerns, but they haven’t been in contact since.


Regal didn’t comment beyond Acuna’s statement.

TheWrap has asked Paramount for a response.The news about the offers first came from Bloomberg.

AI-Generated Ad for ‘The End of Oak Street’ Draws Backlash for Warner Bros.

An official video promoting Warner Bros.Discovery's upcoming sci-fi movie, *The End of Oak Street*, has drawn a lot of negative reactions online because it uses AI-generated animation.

The video is part of a collaboration between Warner Bros.
Discovery and DogPack, a social media app for dog owners.DogPack creates a podcast called *The Dogbone Podcast*, which uses AI to make animated and voiced conversations between dogs about what they think and what people don't know.

The *End of Oak Street* ad was posted on Friday, shared on Warner Bros.
Discovery's and DogPack's Facebook pages as well as DogPack's Instagram account, with Warner Bros.Discovery tagged.The ad features a conversation between two dog podcast hosts and a character dog named Starbuck from the movie, who belongs to the characters played by Anne Hathaway and Ewan McGregor.

Alongside the DogPack video, Warner Bros.
also posted an AI-generated clip of dinosaurs attacking people to promote the film on their official Malaysia account.

Comments on Instagram have been mostly negative, with some users calling the video a "huge fk up" and saying it "damaged the odds I will see" the movie.
Although the video wasn't posted directly on X, Threads, or TikTok, it has been shared and criticized on those platforms by other users, including by Nexus Point News.

However, the Facebook post got a more positive reaction, with one user saying, "This is the best use of AI."  

The use of AI in the entertainment industry has become an important topic for creators, and studios are forming more partnerships with the technology.
Even though AI has become more common in filmmaking, it's very rare for a studio to use AI-generated visuals so openly in their marketing materials.

Warner Bros.
Discovery and the film's director, David Robert Mitchell, did not respond to a request for comment.

In an interview with Business Insider last year, DogPack co-founder Dov Punski said the company's *Dogbone Podcast* works because people don't like to feel tricked.
He explained that the podcast isn't trying to deceive anyone, just to provide entertainment.

*The End of Oak Street* opens on Friday.
The film has a reported production budget of $85 million.

The Odyssey' Hits $1 Billion, Becomes the Biggest Box Office Success of Christopher Nolan's Career

Christopher Nolan's movie *Interstellar* (2014) is one of his most popular films.As *The Odyssey* continues to break records for Universal, it has also become Nolan's highest-grossing film ever.In its fourth weekend, *The Odyssey* crossed $1 billion in global ticket sales, beating *The Dark Knight Rises* (2012) as Nolan's biggest box office success so far.

Here are the current rankings of Nolan's films based on their worldwide box office earnings:

  • 1.
  • "The Odyssey" (2026) - $1,119,000,000 (as of August 10)
  • 2.
  • "The Dark Knight Rises" (2012) - $1,085,000,000
  • 3.
  • "The Dark Knight" (2008) - $1,006,000,000
  • 4.
  • "Oppenheimer" (2023) - $975,800,000
  • 5.
  • "Inception" (2010) - $839,000,000
  • 6.
  • "Interstellar" (2014) - $681,000,000
  • 7.
  • "Dunkirk" (2017) - $527,000,000
  • 8.
  • "Batman Begins" (2005) - $373,700,000
  • 9.
  • "Tenet* (2020)" - $365,400,000
  • 10.
  • *Insomnia* (2002) - $113,700,000
  • 11.
  • "The Prestige" (2006) - $109,700,000
  • 12.
  • "Memento" (2000) - $39,700,000
  • 13.
  • "Following" (1998) - $240,000

Monday, August 10, 2026

Aubrey Plaza and Christopher Abbott Are Parents to a Baby Daughter

 Aubrey Plaza and Christopher Abbott have become new parents.They welcomed their first child, a daughter, in late July, as reported by TMZ.The news came after photos were shared of Plaza holding a baby in New York following a performance of Death of a Salesman, which was Abbott's final stage role.


In the production, Abbott played Biff Loman in the Broadway revival of Arthur Miller's classic play, alongside Nathan Lane and Laurie Metcalf. This role earned him his first Tony Award nomination, and he and Plaza attended the ceremony together.


Plaza, on the other hand, was nominated for an Emmy Award for best supporting actress in a drama series for her role in The White Lotus in 2023.

She also co-created the animated series Kevin for Prime Video.Her other notable roles include Agatha All Along and Parks and Recreation.


The couple announced their pregnancy in April. They have previously worked together on the 2020 movie Black Bear and the off-Broadway play Danny and the Deep Blue Sea.


Plaza was previously married to writer and director Jeff Baena, known for Life After Beth. He passed away by suicide in January 2025.

Prisoners of Paradise Movie

Prisoners of Paradise

Prisoners of Paradise movie poster.jpg

2025 | TV-14 | 1h 48m

Genre: Drama, Romance

Director
Mitch Jenkins

Writers
Alan Govinden
Romesh Gunesekera
Mitch Jenkins

Cast
Ellie Bamber 
Mehdi Dehbi
Rupert Penry-Jones

Composer
Sturdivant Adams
Cinematographer
Stuart Howell

Editors
Chris Gill
Col Goudie
(as Colin Goudie)

Casting Director
Shakyra Dowling

Production Designer
Miren Marañón

Art Directors
Christophe Dalberg
supervising art director
Moray McGregor

Set Decorator
Lesley Jooste

Makeup Department
Julia Finch
makeup artist
Susanna Peretz
hair & makeup designer
Gale Shepherd
hair & makeup crowd supervisor
Nina Van Houten
hair & makeup supervisor

Release date
August 10, 2026 (United States)

Countries of origin
United KingdomSouth Africa

House of the Dragon’ Star Shares the Bright Side of That Tragic Finale Twist

"Do not trust the queen.Aegon has returned.His dragon is alive.Your unborn child is a hostage, a prize she can use to control her enemies.She will never let you go."

These become the last words Queen Helaena Targaryen ever hears.
In the final episode of House of the Dragon season three, a recently dismissed Mysaria (Sonoya Mizuno) gives a clear warning to the newly imprisoned Helaena (Phia Saban), who takes that message to heart and uses it as a weapon: first, by speaking harsh truths directly to Rhaenyra (Emma D’Arcy), and then, finally, by standing near an open window in the Red Keep.Just as King Tommen once fell from that same place in Game of Thrones, so too has Helaena fallen.The season ends with Rhaenyra finding Helaena’s empty room, while the queen lies on the ground below, stuck on spikes.

It’s a heartbreaking image, especially fitting for Helaena, a character who has dealt with nightmares and dreams.
It also serves as a key turning point for the rest of the series, according to those involved.In a press event before the season finale, D’Arcy talked about Helaena’s death and its implications for the show: "Helaena is sort of the moral heart of the show.She’s the only character who is close to power but remains pure.So, her death sort of condemns Rhaenyra to the path she has chosen.I think there’s no way back after that."

If there is a way back, it lies far beyond the fallen Helaena.
Below, Phia Saban chats with The Hollywood Reporter about the final moments of the dream-seeing queen.

*

How much did you know about Helaena’s fate in advance?

When I got the job, I spent a lot of time Googling and checking the Wikis, so I always knew this was coming.
Plus, there are so many fans around, and I know a lot of people who knew and would tell me what was going to happen to me.

When it’s a show this big with a character whose fate is so important, is it almost impossible to avoid spoilers?

Totally.
It was never an option not to know.I’m just happy I made it through three seasons!

You’ve had a lot of time to think about her death.
What are your first thoughts when you think about the character now that her story ends this way?

Objectively, it’s very sad.
The story is sad.I love Helaena.I feel for her.I try to find hope by thinking she felt like she had already been killed in many ways, but… it’s still very sad.But for me?It’s kind of a bucket list thing: I got to die on TV!(Laughs.) I got to do the thing where you keep your eyes open… everyone wants to do that!

How was that experience?

The prosthetics were amazing.
It made me want to do a whole project in prosthetics.It was so genius, working with the most talented people on House of the Dragon.I could talk about every department right now, but the people I hadn’t worked with before were the prosthetics team, and it was amazing.I sat there while they made my neck, which had this incredible spike, and they painted it on me in a way that felt so real.It was so fun.

What went into the force-feeding scene?

It involved a few weeks of what we called "gruel meetings." I tried all these different slops, and they would say, "Choose the one you want to get force-fed." The one we picked was dal with low spice.
It was okay!

Before that happens, you have one final scene with Emma.
What do you remember about it?

I really loved it because it came from a conversation I had with the executive producers about it.
I felt a lot of ownership over Helaena and have loved building that character.I felt it was important to get across some of the things that I always had as Helaena’s mantras in my mind during that moment.I felt like that was the justice for Helaena.We spoke a lot about Joan of Arc and the idea that there’s more to life than not being dead.I found it really delicious that Helaena could say, "There are things in the world you’ll never know how beautiful they are, and they’re not even beautiful." That’s truly what she wants to get back to: having a relationship with the world and not being kept and silenced and used.

That links up with the scene in the courtyard when Helaena looks out at all the birds in cages being taken away.

Is there a shot of her holding something in her hand?
If not, what might be some context is that when we shot that scene, I was holding a dead caterpillar.To me, that moment became more about her relationship with nature, mourning her freedom and how strongly she feels for her creatures — and exactly as you say, how it strikes her that to see something that won’t live and fly again.I think to me, that’s what that was about, but they might have done some clever editing and just not got me holding it.

What was your last day on set like?"

Saturday, August 8, 2026

Lockjaw Movie

Lockjaw

Lockjaw movie poster


2025, 1h 17m

Genre Comedy 

Release date 8 August 2026

Director
Sabrina Greco

Writer
Sabrina Greco

Stars
Blu Hunt
Colin Burgess
Nick Corirossi

Composer
Will August Park


Cinematographer
Neal Wynne

Editors
Tucker Bennett
editor
Sabrina Greco
Neal Wynne

Sound Department
Reid Andersen
sound mixer
Matt Giordano
post-production sound