Saturday, May 23, 2026

Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Award at Cannes

The Un Certain Regard section, which is the second biggest part of the Cannes Film Festival, was the place where the biggest surprise of the year happened. Jordan Firstman's first movie, "Club Kid," got huge praise on the first Friday of the festival and was bought for $17 million by A24 in a big bidding war, which is the biggest sale so far at the festival.

The film got a lot of good reviews, including from Variety's chief critic Guy Lodge, who said it was a "sweet, surprisingly old-fashioned heartwarmer."
 But even though it was well received, Firstman didn't win any awards, leaving with lots of money but no awards.

The biggest winner of the night was Sandra Wollner's "Everytime," a touching story about grief that shows a mother, daughter, and a teenage boy coming together in a tragedy.
 Wollner thanked her team, many of whom were also writers and directors, and said she wanted to keep those "quirky and weird thoughts" that usually get ignored, hoping they might stay with people longer.

Other winners included Abinash Bikram Shah's "Elephants in the Fog," the first Nepali film in the Un Certain Regard section, and Louis Clichy's hand-painted animated film "Iron Boy," which was bought by Sony Pictures Classics for several regions.
 Both films were reviewed by Variety critic Siddhant Adlakha, who praised them as "visually dazzling and deeply personal."

The "Elephants in the Fog" team brought a party to the stage when many of the film's creators started dancing around Cannes director Thierry Frémaux.
 Director Bikram Shah said that cinema has the power to look into the shadows and that bringing their story to the festival and getting this award made the invisible visible.

The UCR jury also gave awards for acting.
 The three women in Valentina Maurel's "Forever Your Maternal Animal" — Daniela Marín Navarro, Marina de Tavira, and Mariangel Villegas — and Bradley Fiomona Dembeasset in Rafiki Fariala's "Congo Boy" were recognized. "Forever Your Maternal Animal" was Costa Rica's first film in Un Certain Regard, and Maurel hoped that its selection signaled more space for Latin American filmmakers, especially female directors, at major festivals.

Fiomona Dembeasset impressed the audience with his energetic speech at the Debussy screening room.
 He ended his heartfelt acceptance speech, delivered in song, with a strong declaration: "I am a young Congolese! I am a refugee! I am a star!"

This year's Un Certain Regard jury was led by French actress Leila Bekhti, who became famous through Jacques Audiard's Cannes Grand Prize-winning film "A Prophet.
" She was joined by French director Thomas Cailley, whose film "Animal Kingdom" opened the UCR section in 2023, plus Senegalese producer Angele Diabang, Italian director Laura Samani, and Lebanese composer Khaled Mouzanar.


Full list of winners:

Prix Un Certain Regard: “Everytime,” by Sandra Wollner

Jury Prize: “Elephants in the Fog,” by Abinash Bikram Shah

Special Jury Prize: “Iron Boy,” directed by Louis Clichy

Best Actress: Daniela Marín Navarro, Marina de Tavira and Mariangel Villegas for “Forever Your Maternal Animal”

Best Actor: Bradley Fiomona Dembeasset for “Congo Boy”

Friday, May 22, 2026

TIFFCOM, Frontières to Serve up New Genre Market Program in October

 International horror, sci-fi, fantasy, action, and animation movies are getting a new chance to find funding this fall.

Frontières, the international genre co-production market organized by the Fantasia International Film Festival in Montreal, is working with the Tokyo International Film Festival Content Market (TIFFCOM) to launch a new genre gap-financing program at the Tokyo Gap Financing Market (TGFM) in October.

This news comes after the Marché du Film, where Japan was the country of honor this year, and it marks a busy time for Frontières.

 The market has been playing a big role in boosting interest in genre films at both Cannes and other festivals in recent years.

Tania Morissette, deputy director of Fantasia, told Variety, “Since its start in 1996, Fantasia has supported Asian cinema, and it feels natural to expand our market into Japan.

 We are very proud of this new partnership and the chance to highlight international genre co-productions more.”

Morissette attended the TGFM last year and was impressed by the quality of the projects.

 Representatives from both events started talking and finalized the partnership this week at Cannes.

This year, some TGFM alumni films are showing at Cannes, including “Death Has No Master” by Jorge Thielen Armand, “9 Temples to Heaven” by Sompot Chidgasornpongse, and “Titanic Ocean” by Konstantina Kotzamani.

Morissette said, “In recent years, Frontières has seen more submissions from Asia.

 Projects like ‘Funky Forest 2’ and ‘Red Spider Lilies’ were chosen for the Montreal market last year, and Norihiro Niwatsukino’s ‘Magai-Gami’ and ‘Queen of Malacca’ were shown at this year’s sold-out Frontières at Cannes.”


The new Tokyo market program will include international projects that are already in advanced financing and need up to 40% gap financing.

 These projects will be shown in a special showcase at the TGFM. The market supports feature films by arranging one-on-one meetings with industry people like producers, financiers, distributors, broadcasters, and streaming services. There will also be daily panels and talks during the three-day TIFFCOM, which will be held from October 28 to 30.


The market is linked to the Tokyo International Film Festival, which is running its 39th edition from October 26 to November 4.

 Submissions for eligible projects can be made starting today (May 22) and will close on July 21, 2026. Applicants can submit their projects through the Frontières Market website or the TGFM platform.


Some recent Frontières successes include “Lamb” by Valdimar Jóhannson, which won the Un Certain Regard prize for originality in 2021, “In Flames” by Zarrar Khan, which was chosen for Cannes Directors’ Fortnight in 2023, and “A Prayer for the Dying” by Dara Van Dusen, which was a Berlinale Perspectives pick in 2026 and got good reviews.


Another Frontières film, “Hot Spot” by Agnieszka Smoczynska, is set to premiere at Fantasia’s 30th edition this summer.

The Frontières International Co-Production Market is supported by Telefilm Canada, SODEC, the Government of Quebec, the City of Montreal, and RDV Canada.

‘White Lotus’ Generated $36.5 Million in Thailand Spending and 300% Tourism Surge, Trade Chief Says

 Thailand's government brought "The White Lotus" to this year's Cannes Film Market as a key example of how the country's filming incentives are leading to real benefits. Sunanta Kangvalkulkij, the director-general of Thailand's Department of International Trade Promotion (DITP), told Variety that the HBO show brought about $36.5 million in local production spending during 129 days of filming and involved around 1,000 Thai crew members. After the show aired, travel bookings to Thailand increased by about 300%, and online searches for the country went up by roughly 88%.


The series also marked the acting debut of Lisa Manobal, a Thai-born member of Blackpink, which strengthened the connection between the show and Thailand.

 Thailand's main offer to international producers is a 30% cash rebate that doesn't have a spending limit or require Thai content. This rebate has attracted several major projects, including "The White Lotus," "Jurassic World Rebirth," "Alien: Earth," and the Bollywood film "Dhurandhar." Between January and March 2026, 162 international films were shot in Thailand, creating more than $36 million in foreign investment, according to government data.


DITP sent 15 Thai companies to the Cannes Film Market with the theme "Reimagining Thailand."

 Deal activity in the first two days of the market reached about THB500 million (around $15 million), and Kangvalkulkij said DITP aimed for a total deal value of around THB1.4 billion (about $42 million) for the whole festival.


The government also set aside THB220 million (about $6.7 million) to fund 86 local productions.

 Kangvalkulkij explained that they work closely with the Thai film and entertainment industry and the government, it's not just the Ministry of Commerce.


Thai Boys' Love and Girls' Love series have become one of the most popular products of this domestic effort.

 At Thai Night Cannes, Deputy Prime Minister Suphajee Suthumpun highlighted the global reach of the BL and GL market. He said Thailand now makes over 55% of all Boys' Love content in Asia, reaching audiences in Japan, Latin America, Europe, and beyond. The market was expected to exceed THB4.9 billion (more than $155 million) by the end of last year. Kangvalkulkij expects this reach to grow further, with a planned delegation to South America in the coming weeks.


Opening the event, Thai Princess Ubolratana spoke about the creative changes happening.

 She said, "The more deeply a work is rooted in its own soil, the more genuine it feels and the further it can travel."


This broader creative trend is supported by examples like Apichatpong Weerasethakul's Palme d'Or-winning film "Uncle Boonmee Who Can Recall His Past Lives" in 2010, which inspired the Thai industry.

 Kangvalkulkij mentioned this as a key moment showing Thai filmmakers could show their creativity on the global stage. This legacy continues with this year's Cannes: Sompot Chidgasornpongse, an Apichatpong collaborator, premiered his debut film "9 Temples to Heaven" in Directors' Fortnight, with Apichatpong as producer. "How to Make Millions Before Grandma Dies," released in 2024, made more than $73 million worldwide, and last year's "A Useful Ghost" won the top prize at Critics' Week.


On the diplomatic side, Thailand and France are celebrating 170 years of bilateral relations this year.

 Kangvalkulkij said, "France could be our gateway to the EU," and noted that Thailand has restarted free-trade talks with the European Union, with both sides aiming to finalize these talks by the end of the year.

Saccharine Movie

Saccharine

Saccharine Movie poster

2026 | R | 1h 52m

Genre: Drama, Horror,  Sci-fi

Directed by

Natalie Erika James

Written by

Natalie Erika James

Produced by

Anna McLeish

Sarah Shaw

Natalie Erika James

Cast

Midori Francis

Madeleine Madden

Danielle Macdonald

Cinematography

Charlie Sarroff

Edited by

Sean Lahiff

Music by

Hannah Peel

Production

companies

Stan

Carver Films

Thrum Films

Distributed by

Maslow Entertainment

Release dates

22 January 2026 (Sundance)

22 May 2026 (United States)

Running time

113 minutes

Country

Australia

Language

English

I Love Boosters Movie

I Love Boosters Movie poster

I Love Boosters

2026 | R | 1h 45m

Genre: Comedy, Crime, Drama, Sci-fi

Directed by

Boots Riley

Written by

Boots Riley

Produced by

Aaron Ryder

Andrew Swett

Allison Rose Carter

Jon Read

Cast

Keke Palmer

Naomi Ackie

Taylour Paige

Poppy Liu

Eiza González

LaKeith Stanfield

Will Poulter

Don Cheadle

Demi Moore

Cinematography

Natasha Braier

Edited by

Matthew Hannam

Terel Gibson

Music by Tune-Yards

Production

companies

Ryder Picture Company

Annapurna Pictures

Savage Rose Films

Distributed by

Neon (United States and Canada)

Focus Features

Universal Pictures (International)

Release dates

March 12, 2026 (SXSW)

May 22, 2026 (United States)

Running time

113 minutes

Country

United States

Language

English

Budget

$20 million

Star Wars: The Mandalorian and Grogu Movie

Star Wars: The Mandalorian and Grogu

Star Wars: The Mandalorian and Grogu

2026 | PG-13 | 2h 12m

Genre: Action, Adventure, Family, Fantasy, Sci-fi

Directed by

Jon Favreau

Written by

Jon Favreau

Dave Filoni

Noah Kloor

Based on

Characters

by George Lucas

Produced by

Kathleen Kennedy

Ian Bryce

Jon Favreau

Dave Filoni

Cast

Pedro Pascal

Jeremy Allen White

Brendan Wayne

Lateef Crowder

Sigourney Weaver

Cinematography

David Klein

Edited by

Rachel Goodlett Katz

Dylan Firshein

Music by

Ludwig Göransson

Production

companies

Lucasfilm Ltd.

Fairview Entertainment

Distributed by Walt Disney Studios

Motion Pictures

Release dates

May 14, 2026 (Los Angeles)

May 22, 2026 (United States)

Running time 132 minutes

Country

United States

Language

English

Budget

$165 million

Passenger Movie

Passenger

Passenger Movie poster

2026 | R | 1h 34m

Genre: Horror

Directed by

André ovredal

Written by

Zachary Donohue

T.W. Burgess

Produced by

Walter Hamada

Gary Dauberman

Cast

Jacob Scipio

Lou Llobell

Melissa Leo

Cinematography

Federico Verardi

Edited by Martin Bernfeld

Music by

Christopher Young

Production

companies

18Hz Productions

Coin Operated

Distributed by

Paramount Pictures

Release date

May 22, 2026

Running time

94 minutes

Country

United States

Language

English